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In today's jazz guitar chord lesson, we will discuss playing tritone substitutions on the I-VI-II-V progression. I go in-depth and learn how the tritone substitutions are really just altered versions of your regular dominant 7 jazz guitar chords. This is really an extension of last week's lesson so check that out for context: • I-VI-II-V Turnaround Chord Substitutions ... First, we discuss playing tritone subs for the VI and V chords and the we go deeper and talk about how you can play tritone subs for every chord other than the I chord in a I VI II V guitar chord progression. Please support the channel by buying some of my favorite jazz chord books through my amazon links: Mickey Baker Jazz Guitar Book 1: https://amzn.to/2NIt4LF Mickey Baker Jazz Guitar Book 2: https://amzn.to/2YL8ssr Ted Greene Chord Chemistry: https://amzn.to/2BnMd2U I post all of my guitar lessons to: https://birdsnakebrown.com/ 0:00 Intro to tritone substitution for I VI II V jazz guitar changes 1:02 Tritone substitution for the VI and V chords 2:08 Example 1. Tritone Subs on the VI and V 2:18 Understanding how tritone substitution relates 2:55 The roots aren't really different 3:39 Example 2. common jazz guitar chord progression 4:30 They are really different alterations of the same chords 5:00 A7#9 and Eb13b5 are the same chord but one has a b5 5:36 More common guitar chord voicings for tritone subs 6:10 Example 3. common jazz guitar chord progression 6:22 A7 and Eb7 are the same chord but the root and b5 are switched 7.23 Example 4. common jazz guitar chord progression 8:20 Looking at it from a scale point of view 8:55 One more time... they are really the same chords! 9:33 Tritone substition for II7 and III7 guitar chords 10:07 Functional dominant chords can always be substituted 10:42 Example 5. Tritone subs on everything but the I chord 11:19 Example 6. More substitutions on everything but the I chord 11:54 You don't have to use this stuff!! 12:17 Goodbye :D