My Color Grading Process (Filipino Language) | скачать в хорошем качестве

My Color Grading Process (Filipino Language) |

I apologize for changing niche but from here on out, my content will be about photography and film making. Hopefully, I get to make more of these kind of videos to keep my YouTube active and to gain traction. This is a video to show my process on how I color my footage here on YouTube and Instagram. I'm by no means a professional colorist–everything I did in this video is a process that works for me. If you have any questions, comment below. I'll try to answer each one of them. USE CODE: ELDRICDEHANCER for 10% off when purchasing Dehancer. https://www.dehancer.com/shop/video/d... Gear: Camera: Sigma FP Monitor: Blackmagic Video Assist 12G Mic: Sennheiser MKE 600 Lens: 7Artisans Spectrum 35mm f2.0 Lights: Godox TL30 Software: DaVinci Resolve Dehancer CapCut ChatGPT Timestamp: 0:42 - Quick explanation/ Thought process 2:28 - Footage 1 - Sony a6300 2:55 - Footage conversion from Log to Rec.709 3:15 - Print film for 2383 3:50 - Exposure adjustment node 4:33 - Color Density 5:30 - Image Wipe 5:48 - Film Developer – Color Boost (this is redundant I also mentioned this at 6:50) 6:09 - Film Stock (Vision 3 250D or 500T) 6:50 - Film Developer – Color Boost (This is the time I really use it; not before the film stock settings) 7:22 - Reference Images (Image Wipe) from ShotDeck 8:01 - Black points (Expand Settings) 8:20 - White point (FIlm Print Settings) 8:40 - Temperature adjustment (adjusting footage towards green tint) 9:16 - Halation 9:45 - Film Grain 10:41 - Color Density sample 11:09 - Footage 1 Result 11:18 - Footage 2 - Sony a6300 11:54 - Glow node 12:42 - Footage 2 Result 12:52 - Footage 3 - Fujifilm X-T3 13:29 - Vision 500T on daylight + balancing tungsten 14:18 - Exposure adjustment 14:41 - Color Density 14:48 - Color Boost 14:51 - Film Compression 15:15 - Footage 3 Result 15:19 - Footage 4 - Fujifilm X-S20 15:26 - F-Log2 conversion using Phantom Luts 15:48 - Dehancer + 2383 15:59 - Isolating skin tone (qualifier) 16:40 - Footage 4 result 16:48 - Footage 5 - Sigma FP 17:18 - Braw conversion (Phantom Luts for BMPCC6k) 17:28 - 2383 17:33 - Vision3 500T + balancing out the magentas 17:46 - Contrast adjustment (within Film Print settings) 18:00 - Expand–Black point (matching the blacks from the reference) 18:27 - Blue tone of the 2383 18:42 - Footage 5 result 18:58 - Result of all footage