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Music as fiction

On the question of whether and how music can tell a story. With music by Debussy (prélude La sérénade interrompue), Liszt (Die Loreley), and Chopin (ballades). 00:00 Intro 00:36 Telling stories 02:49 La sérénade interrompue 09:56 Programme music 11:16 Can music tell a story? 12:23 Liszt: Die Loreley 24:46 A narrative ‘tone’ in music 29:45 Chopin’s ballades 35:21 The musical narrator Music fragments: 02:55 Claude Debussy, Prélude Livre I No. 9, La serenade interrompue (compl.)* 12:56 Franz Liszt, Die Loreley S. 532 (2nd version) (compl.)* 26:23 Robert Schumann, Fantasie op. 17 (fragment)* 27:23 Friedrich Silcher, Die Loreley (fragment)* 28:29 Franz Liszt, Die Loreley S. 531 (1st version) (fragment)* 30:22 Frédéric Chopin, Ballade No. 4 op. 52 (fragment)* 32:41 D.-F.-E. Auber, Fra Diavolo, Romance (Couplets). Mesplé, Soustrot, Orchestre Philharmonique de Monte-Carlo. His Master's Voice EX 157 27 0068 3 34:28 Frédéric Chopin, Ballade No. 3 op. 47 (fragment)* See also: L. Muns. Concert Song and Concert Speech around 1800. Music & Letters 98, no. 3 (2017): 365–93 . https://doi.org/10.1093/ml/gcx082 ———. Fiction, Truth, and Lies: The Nonassertion Theory of Fiction, Quotation, and Music as Fiction, 2021. https://hcommons.org/deposits/item/hc... ———. Who’s “I” in Music?: Unmasking the Musical Persona, 2021. https://hcommons.org/deposits/item/hc...