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Encounter Ambient Delay+Reverb: An Engine-by-Engine Tour скачать в хорошем качестве

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Encounter Ambient Delay+Reverb: An Engine-by-Engine Tour

Source Audio Engineer, Grady Thomas guides an engine-by-engine tour of the Encounter Ambient Reverb+Delay. The Encounter is a combination reverb and delay pedal; a fully equipped vehicle designed for sonic adventurers to explore the far reaches of ambient/experimental/spatial effects. Learn more about the Encounter Ambient Delay+Reverb - https://sourceaudio.net/products/enco... 0:00 Opening Credits 0:33 Introduction 1:14 Interface Tour 3:33 Hypersphere Reverb 5:57 Shimmers Reverb 8:13 TremVerb 10:38 Reverse Reverb 12:42 Lo-Fi Reverb 15:25 Swell Reverb 18:19 Noise Tape Delay 21:04 Resonant Delay 24:22 Drum Echo Delay 27:27 EchoVerb 31:36 Kaleidoscope Delay 35:39 Helix Delay 40:14 Wrap Up/Neuro 3 Editor The Encounter allows you to simultaneously run any two of its 12 unique effect engines—6 Delays and 6 Reverbs—in Series, Parallel, or Split Stereo (which sends a different effect to each of the pedal’s stereo outputs). Each of the two footswitches will engage/disengage its own effect, so it’s like having two effect pedals in one box. The Encounter Ambient Delay+Reverb Engines: 1. Hypersphere Reverb – Imagine the reverberations from a room with no walls, ceiling or floor. You might say, “well in that case I would hear no reverberations at all,” and you would be correct. However, in the surrealist domain of Hypersphere, reverberations circle back to your ear from all directions free of direct reflections – they simply exist. This sound is Source Audio’s most expansive and textured take on reverb processing to date. 2. Shimmers Reverb – It’s plural for a reason: Shimmers is a dual-voice pitch-shifting reverb. That means that it can have two entirely independent pitches that emanate above or below your dry signal. We’ve selected a few pitches that work well together for the face of the dial, but Neuro 3 allows any pitch to be selected for either voice. 3. Trem Verb – This is another new engine that combines a pulsating tremolo with a big, spacious reverb (the reverb is the same as the E-Dome reverb from our Ventris Dual Reverb pedal). Tremolo type & positioning can be adjusted in Neuro. By default, the tremolo is applied to only the reverb, but it can also be applied to only the dry or the dry and reverb together. You can also choose between 5 different tremolo wave shapes. 4. Reverse Reverb – Imported directly over from the Ventris, Reverse Reverb uses some sound design tricks that reverse the attack of your signal for the resulting reverb tail. This reverb is commonly used in shoegazing and Praise & Worship practices. 5. Lo-Fi Reverb – If you ever felt that reverb was just too pretty, too clean, or too pure, this engine is for you. Lo-Fi is a flexible reverb that can be both distorted and/or mangled by modulation via the two Control knobs. 6. Swell Reverb – As found on both Collider & Ventris, we felt this was too much of a staple not to include. By default, Swell reverb uses envelopes to swell both the wet and dry signals. Within Neuro, the swell Dry can be disabled for a ducking/blooming reverb effect. 7. Noise Tape Delay – Based on the tape delay section of a Roland Space Echo. What Noise Tape offers that a real Space Echo unit can’t is the ability to tune it from a pristine, modulation-free delay to an aged and saturated mangled mess in need of repair with tons of modulation on tap. It’s a real time saver. 8.Resonant Delay – A bright and crispy analog delay that features an extra, optional resonant LPF that can be modulated by the same LFO that adjusts the pitch modulation speed. This results in a more vibrant, animated version of our “Sweeper” engine. 9. Drum Echo Delay – Encounter features an emulation of the classic, chartreuse-colored multi-head drum echo device. On the surface, Drum Echo behaves similar to the Nemesis ADT (with the exception of Control 1), but in Neuro 3, the multi-head function is infinitely expanded due to the brand-new ability to adjust the tap weights and lengths, generating infinite pattern options. This means Drum Echo is not just a Binson Multi-Head, but can be adjusted internally to be Binson Single, Rhythmic, or Complex Rhythmic with a few knob twists. 10. EchoVerb Delay – Where delay and reverb coexist. EchoVerb starts out as a dry and pristine digital delay but turn the up the CONTROL 2 knob and bring in a glorious Plate reverb for a perfect ambient combination. Kaleidoscope Delay – If EchoVerb is “where delay and reverb coexist”, Kaleidoscope is “where delay and reverb collide”. Inspired by the “Offspring” engine on the Ventris Dual Reverb, Kaleidoscope is the same principle, reframed as a delay. Turn down Control 2 for a standard delay, or turn it up for a truly unique, arpeggiating, scattering experience. Helix Delay – A fluttering, pitch shifted delay. Helix was developed as a reverse octave-up delay, but on Encounter we have added deeper control for a more customized trip.

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