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Bach: Brandenburg Concerto No. 6 in B-Flat, BWV 1051 Soloists of the Berlin Philharmonic Orchestra conducted by Alois Melichar Recorded in 1933 by Deutsche Grammophon at Room VIII, Lützowstrasse 111, Berlin, on 78-rpm matrices 749ge through 752ge. (The date of March 25, 1934, given at www.bach-cantatas.com probably is a release date; DG's ledgers were destroyed during World War II and we no longer have exact recording dates.) Issued in Europe as Polydor 15066 and 15067, in England as Decca LY 6099 and LY 6100, and in the USA as Brunswick 90407 and 90408. The Brandenburg Concerto No. 6 is in three movements: 1. Allegro 2. Adagio ma non tanto (at 6:53) 3. Allegro (at 11:42) This is the first recording of a Bach Brandenburg Concerto known to me to use one player for each part throughout. The side containing the slow movement was recorded last, presumably so that the gamba players could go home early - the slow movement's scoring omits the gambas. Speaking of the players, they are: Reinhard Wolf & Kurt Oberländer, violas Paul & Sylvia Grümmer, viole da gamba Wolfram Kleber, cello Hermann Menzel, double-bass Eta Harich-Schneider, harpsichord This information was kindly supplied to me by Tully Potter, who wryly noted, "There are some right old Nazis in there!" And indeed, Reinhard Wolf appears to have been a Gestapo informer. Eta Harich-Schneider, on the other hand, was no Nazi - she had to flee Germany in 1940 upon refusing to join the Party. Paul Grümmer was the original cellist of the Busch Quartet and Sylvia was his daughter. She has insisted that he was no Nazi either, but he was happy enough to take Feuermann's job at the Berlin Hochschule when the latter, a Jew, was sacked. This information comes from Mr. Potter's magnificent two-volume, 1,423-page biography of Adolf Busch (Toccata Press, 2010).