Gary Devore: Found Dead with No Hands Worked with CIA in 1998 Panama Papers Script Never Found скачать в хорошем качестве

Gary Devore: Found Dead with No Hands Worked with CIA in 1998 Panama Papers Script Never Found

Behind the Scenes Look EXCLUSIVE: Screenwriter mysteriously killed in 1997 after finishing script that revealed the 'real reason' for US invasion of Panama had been working for the CIA... and both his hands were missing Gary Devore, writer of Raw Deal and Time Cop, disappeared in June 1997 He had finished script alleging ulterior motive for US invading Panama Body was found a year later in California Aqueduct but raised questions His hands were missing from the car, his script was never found There was widespread speculation the CIA was connected to his death Now a former White House official has confirmed Devore was working with the agency in Panama Coroner revealed the hands sent for autopsy were 200 years old Read more: http://dailym.ai/1MRFIUU The CIA has had a long history in Holly­wood. During the 1950s, CIA asset Luigi G Luraschi used his posit­ion as head of censorship at Paramount Studios to bring film content in line with the Agency's ideals. Scenes that portrayed the US in a bad light were cut; films such as High Noon (1952) were prevented from receiving certain industry awards; and well dressed 'negroes' were placed in lavish on-screen environ­ments to suggest that the US didn't have a race problem. In order to tame or otherwise subvert their content, the CIA also covertly assisted on the film adaptations of George Orwell's Nineteen Eighty-Four (1954) and Animal Farm (1955), as well as Graham Greene's The Quiet American (1958). In the mid-1990s, the Agency established its entertainment liaison office, headed by Chase Brandon, supposedly as part of its more 'open' remit. In truth, the CIA's role in Hollywood remains decidedly clandestine. In the case of CIA-assisted product­ions like Bad Company (2002), 24 (2001 - ), and Spy Game (2001), not even isolated comments exist from anyone involved to indicate what happ­ened on set (although we do know the CIA withdrew its endorsement from the latter). Others are less bashful, as with Alias (2001 - 6) star Jenni­fer Garner, who appeared unpaid in a recruitment ad for her friends at Langley. The CIA may even have used entertainment for psycho­logical warfare purposes and to develop real-world scenarios, as Texas State Professor Tricia Jenkins heard in a series of sensational interviews for her forthcoming book For Our Spies Only. Michael Frost Beckner, creator of the TV series The Agency (2001 - 03), recalls that Brandon phoned him to suggest a plotline involving biometric identification techno­logy. When Beckner questioned Brandon on the story's realism, Brandon told him to "put it in there, whether we have it or not. Terrorists watch TV too. It'll scare them." For another episode, Brandon suggested using a Predator drone out­fitted with a Hellfire missile to kill a Pakistani general, asking Beckner to "see how it plays out, how you could make it work". One month after the show aired, the CIA assassin­ated a Pakistani general using Hellfire missiles from a Predator drone. "I'm not a big conspiracy theor­ist," says Beckner, "but there seems to have been a unique synergy there." Video Discussion:    • Panama Papers: Gary Devore  -  The Highly ...