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When Elijah Knew Hayley was pregnant with Klaus’ child,A new legacy, A new Hope #theoriginals #klausmikaelson #elijahmikaelson #4k #rebekahmikaelson #hayleymarshall #hopemikaelson #thevampirediaries #tvdu #vampirelove #vampireromance #forbiddenlove #hybridklaus #klausandcaroline #klaroline #toxiclove #supernaturalromance #immortallove #darkromance #originalfamily #alwaysandforever #vampirefiction #werewolfromance #paranormalromance #tvseriesedit #mikaelson #klaus #elijah #rebekah #hayley #hope #vampirediaries #tvdu #vampire #werewolf #witch #darkromance #supernatural Close your eyes and imagine the year 1720, Paris. A 200-year-old Klaus Mikaelson presses his back to a cold attic wall, his breath silent, his fingers white around the hilt of a dagger. Below, the floorboards creak—Mikael’s boots. “Niklaus,” his father calls, voice low and honeyed, a predator toying with prey, “come out, come out, wherever you are.” This isn’t a one-time hunt. It’s a pattern. A curse. For over a millennium, Mikael didn’t just chase Klaus—he hunted his very right to exist. We talk of Klaus’s “monstrosity,” but let’s start where the story really begins: with a father who saw his son as a mistake, and a whip that left more than scars. Mikael’s abuse wasn’t random. It was ritual. When Klaus was a boy, Mikael would drag him to the woods outside their Viking village, forcing him to fight wolves barehanded—“to make you strong,” he’d say, as Klaus bled from claw marks. When Klaus’s werewolf side emerged (a secret Esther tried to bury), Mikael’s cruelty turned to hatred. “You are not a Mikaelson,” he spat, breaking Klaus’s wrist with his bare hand, “you are a bastard. A stain.” In The Originals Season 3, Klaus tells Cami O’Connell, “My father taught me pain was the only language the world understands.” That lesson wasn’t just learned—it was carved into him. And when Klaus became an original vampire, Mikael’s pursuit became eternal. He chased Klaus from the fjords of Norway to the streets of 1920s Chicago, from the plantations of the American South to the French Quarter of New Orleans. It wasn’t just about killing Klaus. It was about erasing him—proving, again and again, that Klaus was unworthy of life.