У нас вы можете посмотреть бесплатно Nicki Minaj - Irrelevant, Washed Up, Sold Out to Trump или скачать в максимальном доступном качестве, видео которое было загружено на ютуб. Для загрузки выберите вариант из формы ниже:
Если кнопки скачивания не
загрузились
НАЖМИТЕ ЗДЕСЬ или обновите страницу
Если возникают проблемы со скачиванием видео, пожалуйста напишите в поддержку по адресу внизу
страницы.
Спасибо за использование сервиса ClipSaver.ru
Nicki Minaj’s public persona has long been built on defiance, self-determination, and solidarity with marginalized communities. Rising from Queens as the daughter of Caribbean immigrants, she became a symbol of possibility for Black women, immigrants, and outsiders within a hip-hop industry that has historically thrived on resistance to power. That history is precisely why her recent signals of alignment with Donald Trump have landed as such a jarring rupture for many fans. Hip-hop has never been apolitical. From Public Enemy to Kendrick Lamar, the genre has consistently functioned as a counterweight to systems that marginalize Black and immigrant communities. Trumpism, by contrast, is inseparable from policies and rhetoric that targeted those same communities—Muslim bans, family separations, hostility toward asylum seekers, open flirtation with white nationalist language, and repeated attacks on Black protest movements. When an artist of Minaj’s stature appears to validate that political project, it is not interpreted as neutrality or independent thinking; it is seen as legitimization. For fans who connected to Minaj through her earlier expressions of empowerment and outsider solidarity, this shift feels less like growth and more like abandonment. Her career has benefited from a fan base that is disproportionately Black, immigrant, LGBTQ+, and young—groups that bore the brunt of Trump-era governance. Aligning with a figure associated with voter suppression efforts, rollbacks of civil rights protections, and overt culture-war antagonism reads as indifference to the lived realities of those supporters. The tension is especially stark given Minaj’s own background. Her family’s immigrant story mirrors those vilified in Trump’s rhetoric. Her rise within hip-hop echoes a tradition of speaking truth to power, not cozying up to it. When that tradition is discarded, rebellion starts to look less like resistance and more like contrarian branding. This moment also fractures the broader hip-hop community. Artists are not obligated to adhere to a single political ideology, but there is a difference between independent thought and amplifying movements that actively undermine the communities that built the culture. Trumpism is not a neutral political preference within hip-hop’s historical context; it is a force that has repeatedly positioned itself against the genre’s people, politics, and protest roots. Ultimately, the backlash is not about demanding ideological purity. It is about accountability. Fans are asking how empowerment rhetoric squares with support for policies that disempower, how immigrant success stories coexist with xenophobic governance, and how hip-hop’s legacy of resistance survives when one of its most visible stars appears to side with power over people. Whether Minaj intends it or not, her perceived support for Trump reshapes her political legacy. For many, it feels like a betrayal not just of a fan base, but of a culture and a history that helped make her voice matter in the first place.