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The first of 10 singles from Janne Eraker's groundbreaking tap dance album Movements for Listening! https://escrec.bandcamp.com/album/mov... Here it is, from Janne Eraker’s ambitious solo album: a bluesy tune titled Chulas Fronteras (Beautiful Borders) with the eminent guitar player Knut Reiersrud. Let yourself relax into this groovy 5/4 ride, which will take you to distorted guitars, rolling rhythms and a landscape of beautiful sounds. There’s tap dance, several guitars, a fiddle and some barefoot sand dance, expertly recorded by the veteran Audun Strype, in the spacious Jakob Church. Movements for Listening is a wild exploration of sound by Janne Eraker and friends, with borderless worlds of music, widening the horizon and moving outside of all boxes. The ambition of the project was to find ways to use tap dance as percussion in a variety of musical styles, genres and collaborations, and to make a state of the art album recording of this. Eraker went to extremes to try different sounds, textures, material, shoes, dynamics, concepts and, of course, rhythms! Sometimes it’ll be hard to know what’s tap dance and what’s not, because the players get so close in timbre, texture and sound. There’s both composed and improvised music, and music that is based on a standard jazz tune, score, groove or melody. There’s tap dance on wood, metal, bubble wrap, sand, in water, with different types of shoes and with bare feet. Eraker plays on a collection of taps hanging from a rack, like a percussionist playing a carillon, and wooden taps bound together in her hands, like a flamenco dancer playing castanets. Eraker has a group of stellar musicians with her on this project: Knut Reiersrud, Ivar Grydeland, Michaela Antalová, Harald Fetveit, Anders Kregnes Hansen, Hans Martin Rundberg Austestad, Juliana Venter, David Skinner, Roger Arntzen, Vegar Vårdal and Kristoffer Lislegaard. This resulted in 10 recordings with 9 duets and 1 trio. All of this is also documented in a series of videos, to make it possible to see how the music was created. Together with the videos, the ten digital singles that make up the album will be released monthly, starting with the first on January 6th 2023. The double vinyl record will be out at the end of all this, in fall 2023. About Knut Reiersrud Knut Reiersrud is a Norwegian blues guitarist. His work also incorporates elements of Norwegian traditional music and African music. Reiersrud has recorded and played with David Lindley, the Blind Boys Of Alabama, Rickie Lee Jones, Nina Hagen and Norwegian church organist Iver Kleive. In over 40 years he has played his guitars on countless stages and mesmerized the audience all around the world. King Harald can be quoted; he had never seen anyone disappear into his instrument like Reiersrud. President Tabu Mbeki, at the very same concert, even offered him a South African passport, just to get one more song! About Janne Eraker Janne Eraker is a tap dancer based in Norway. She has roots in many places; born in Germany, raised in Norway, educated and started a family in the Netherlands. Also her dancing has many roots, starting with Balkan folk dances, swinging by competition dancing, musicals, contemporary and modern dance, and now fermenting all of it into her tap dancing. Eraker is fascinated by the sound of tap dance, and has worked a long time to create all kinds of music with it. Her work spans from improvised concerts to choreographed dance pieces, collaborating with a wide range of artists. In 2022 she released her first album Gol Variations with the trio One Small Step. As a performer she also dances in the Sebastian Weber Dance Company in Germany. Much more information, videos and an extensive blog about this project can be found at https://janneeraker.com. Performed by Knut Reiersrud (guitar, fiddle) and Janne Eraker (tap dance) Composed by Knut Reiersrud and Janne Eraker Recorded by Audun Strype at Kulturkirken Jakob Mixed by Audun Strype, Janne Eraker and Knut Reiersrud Mastered by Audun Strype, Strype Audio Video by Morten Minothi Kristiansen Label: Esc.rec. Cover art by Daan Botlek Supported by Arts and Culture Norway, Norwegian Jazz Forum, PAHN