Kami mga Pumapanaw sa Paglaum (Mga Tigpatubo sa Binhi sa Ebanghelyo) - RBPRanara скачать в хорошем качестве

Kami mga Pumapanaw sa Paglaum (Mga Tigpatubo sa Binhi sa Ebanghelyo) - RBPRanara

Kining minus-one format, pagagamiton lamang atol sa mga relihiyosong panagtigum, ug dili angayang gamiton sulod sa mga liturhikanhong kasaulugan. Palihug basaha ang mosunod nga mga pahayag: Pope Pius XII's 1955 encyclical, "Musicae Sacrae," insisted that liturgical music be "true art," if it is to be a genuine act of worship and praise of God. Pre-recorded music, even to support congregational singing, should not be used in the liturgy (Sing to the Lord: Music in Divine Worship, 93). The use of pre-recorded music, even to accompany the congregation's singing, is not appropriate for the liturgy (Music in Catholic Worship, #54 and Liturgical Music Today, #60; see Sing to the Lord: Music in Divine Worship [2007], #93, #94). #93. Recorded music lacks the authenticity provided by a living liturgical assembly gathered for the Sacred Liturgy. While recorded music might be used advantageously outside the Liturgy as an aid in the teaching of new music, it should not, as a general norm, be used within the Liturgy. #94. Some exceptions to this principle should be noted. Recorded music may be used to accompany the community’s song during a procession outside and, when used carefully, in Masses with children. Occasionally, it might be used as an aid to prayer, for example, during long periods of silence in a communal celebration of reconciliation. However, recorded music should never become a substitute for the community’s singing. "Finally, only those musical instruments which are played by the personal action of the artist may be admitted to the sacred liturgy, and not those which are operated automatically or mechanically." (1958 instruction "De Musica Sacra”, Congregation of Rites)