Paul Cezanne 保羅．塞尚 (1839-1906) Post-Impressionism French скачать в хорошем качестве

Paul Cezanne 保羅．塞尚 (1839-1906) Post-Impressionism French

[email protected] Paul Cezanne (1839-1906) , Paul Cezanne was a post-impressionist painter who created the bridge between impressionism and cubism, and is said to be the artistic father of both Matisse and Picasso. Although he was dissuaded by his father at an early age to pursue his passions in painting, he left his hometown of Provence for Paris, in 1861. It was there that he met Camille Pisarro, a popular impressionist painter, who served as his mentor and guide. He began painting in the impressionistic style, but later began to structurally order what he saw and painted into simple forms and planes of color. He also began to simplify the forms he painted into shapes, such as a tree into a column. Unlike many of the painters of his day, who focused on one or maybe two subject styles, Cezanne concentrated on still lifes, portraits, landscapes, and nude studies. He began slowly in Paris, as all of his submissions to the Paris Salon between the years of 1864 and 1869 went rejected. He finally successfully entered a submission into the Paris Salon in 1882, which was also his last. In 1895, there was an exhibition held of all of his own works, signifying his growing success as an artist, but that same year he moved back to his hometown of Provence, where he continued to work in isolation. Cezanne was early depicted as a rude, shy, angry man, given to bouts of depression, and later in his life he withdrew into his paintings, spending long periods of time a recluse, painting in solitude. Although his paintings were not well-received by the public, who supposedly reacted with hilarity, outrage and sarcasm, and laughed at his art, young artists held him in high esteem, and often sought after him. Cezanne’s legacy is that he developed the practice of fracturing forms, which most immediately influenced the development of cubism, and later the foundation of modern art. 保羅·塞尚（Paul Cezanne）（1839-1906），保羅·塞尚（Paul Cezanne）是一位後印象派畫家，創造了印象主義與立體派之間的橋樑，據說是馬蒂斯和畢加索的藝術之父。儘管他的父親早年勸阻他追求他對繪畫的熱情，但他於1861年離開了他的家鄉普羅旺斯到巴黎。在那裡，他遇到了一位流行的印象派畫家Camille Pisarro，他是他的導師，指南。他以印象派風格開始繪畫，但後來開始結構性地將他所看到的和繪畫的顏色順序排列成簡單的形式和平面。他還開始簡化他畫成形狀的形式，比如一棵樹成一列。不像許多當時的畫家，誰專注於一種或兩種主題風格，塞尚集中於靜物，肖像，風景和裸體研究。 他在巴黎慢慢開始，因為他在1864年至1869年間向巴黎沙龍提交的所有材料都被拒絕。他終於在1882年成功地進入巴黎沙龍，這也是他的最後一次。 1895年，他舉辦了所有自己作品的展覽，表明他作為一名藝術家的成功取得了巨大成就，但同年他又回到了普羅旺斯之家，他繼續孤立工作。 塞尚早期被描繪成一個粗魯，害羞，憤怒的男人，被壓抑了抑鬱症，後來在他的生活中，他撤回到他的畫作中，花了很長一段時間的隱居，孤獨地畫畫。雖然他的畫沒有受到公眾的歡迎，他們據說對他的熱忱，憤慨和諷刺作出了反應，並嘲笑他的藝術，但年輕的藝術家高度重視他，並經常追捧他。塞尚的遺產是他開發了壓裂形式的做法，這種做法最立即影響立體主義的發展，也是後來現代藝術的基礎。