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✨ For tons of rewards, support me on Patreon! / areiacreations 🎶 Join us on Discord! Connect with fans, get updates, and discuss remixes! / discord 🎧 Listen to my original EDM music on Spotify! https://open.spotify.com/artist/3Mhpn... 📸 Follow me on Instagram: / areiacreations 🎥 Find me on TikTok: / areiacreations Thank you for watching this video! My name is Jun Areia and I'm an artist developer and producer based in Seoul, South Korea since 2009. Through Areia Remix, I attempt to offer re-imagined EDM versions of your favorite K-pop songs and share my love for the Korean culture to the world! ⭐ Support My Vision: If you enjoy my work, consider supporting me on Patreon for exclusive benefits, including early access to remixes, full-length Original Mixes and DJ ready Club Mixes, and access to the Production and Inner Circles where you can help shape the remixes and Areia Creations future! Your support helps me grow my efforts in producing original K-pop artists and building my company in Korea! / areiacreations Or you can just buy me a coffee! https://www.buymeacoffee.com/areiacre... 💡 Got a song you'd love to see remixed? Join our Discord to share your ideas and connect with the community! 🎵 Don’t forget to like and comment under this video and subscribe for more K-pop remixes! ⭐ Credits: This remix is not a commercial release and is created for promotional and entertainment purposes only; all Youtube ad revenue is automatically received by the original K-pop artists. Remix produced by Jun Areia =-=-=-=-=-=-=-=-=-=-= ORIGINAL Description: I've been listening to drum and bass since the late 90's and I was so amazed by how hard was to produce the breakbeats and the basslines. Especially those superb tracks from Good Looking Records, they totally blew my mind back then. Then I moved to UK where I had the chance to experience from first hand all that awesomeness in various events at the clubs. I've been to various lives of big names such as LTJ Bukem and every time it was even better. Slowly the drum n bass hype faded out as I was growing up and I was seeking for something more relaxing to feed my ears. Drum n bass is one of the most technically difficult music to produce so I've been avoiding it like vampires avoid garlic. It took all these years, many productions and 40+ remixes to start attempting the first drum n bass sounds. All these attempts are summarized in this remix, my first on this genre. It's also the first to use a whole new series of plugins and effects so it's kind of a new generation for my remixes. The way I fade in everything at 0:50 and I make it explode at about 1:00 it's a new technique where I fade different frequencies with different compressions and dynamics at the same time while altering the individual stereo images. Also the basslines have a far more advanced stereo print than everything I've attempted before; different frequencies pan at different points, creating this unique effect of the sounds being all around your ears. But the most important point is a specific effect I use in order to arrange the vocals to be exactly where they need to, so they still exceed the other sounds. The naïve approach would be to keep adding volume to the vocals but that would just add distortion; the vocals are carefully placed between some dynamic, compression and stereo gaps that I've created in my other sounds; therefore the vocal clarity despite the thick instrumental track. All these techniques are nothing new to professional producers and it's the standard and natural way to do things but still it's not something you usually find in productions outside the pro studios. For me it's another step-up, probably a huge one, and it took a lot of study to achieve it and realize it in practice.