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“My music for Hook doesn’t abstain from that of a cartoon, where the music has to be attached to the picture. Music in these type of films plays a very important part because only music can make the audience believe what they see. Only music can make fantasy, reality”. (John Williams, 1992) A full score reduction and analysis of one of my all-time favourite cues from the maestro: Tink's arrival and the Flight to Neverland sequence from Hook. I understand that this video goes pretty fast, so I'll leave the links to the pdfs of my reduction/analysis below so you can follow along in your own time: https://mega.nz/folder/QHA3ADKK#XF97y... I own nothing, hope you enjoy. I'd also like to know if you find the detail of my analyses helpful, or whether its a little too overbearing. Please let me know in the comments. Hope you're having a great week!