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I PREFER THIS COLORFUL WORLD, video, 4’10” "I PREFER THIS COLORFUL WORLD" is a collage art series from Chinese contemporary artist Hei Yiyang. He collage out various picture with differernt countries’currency. Fragments of word messages, portraites, letters, numbers, patterns, white strips, are observed, rearranged and collaged to concentric circles. This colorful "concentric circles of money" image will reflect a surging desire in the mental world of money. The banknote here is a multicolored carrier, a portrayal of luxury and dissipation life made up of paper and gold. The documentary is divided into three parts. The first part, the artist through the director's perspective, the clips of the fragment is modeled as partially damaging the effect of the VHS tape. Repeatedly play the action of counting money, reflecting the impact of money on life. It involved in social issues such as social phenomena, conflict, wealth, humanity, time, desire and state power. Then, in the second part, the lens transitions to the process of art production, artists and his team dismembered different types of global banknotes from nearly 30 countries around the world - to restore them as printed matter, followed by selection, decomposition, classification. Ultimately they were also restored to print. In this way, they are no longer a valid currency. Only the residue money refers to monetary value of the banknote. They were restored to print carrier itself. At this point, parts of banknotes have presented printing characters-the color, figures and textures, and so on. These were re-separated from cultural features, symbols, fonts, colors and lace styles, and the global banknotes were deconstructed into paint pigments, and created a series of the large circle devices (diameter 150 cm) and small circle devices (diameter 66 cm) . Finally, the third part, The artist presents the beauty of the details on artworks with a macro lens, bring artistic association to the audience. The documentary records eventually presents the contemporary social and cultural analysis from an artist's view. The naming of Colorful World is presenting a world which is constructed of banknotes. This series of the Datura of Money have an inner desire projected on a stunning concentric circle pattern. HEI YIYANG The Founder And Host Artist of XIANGDEMEI Lives and works in Shenzhen and Shanghai Hei Yiyang ( born in 1975 in Henan Province ) is one of the most active artistic and cultural exchange pioneers in China. He is also a talented new artist with free, intriguing, poetic and fashion creation styles. He devotes himself to putting different mediums like design, contemporary art, advertising, architectural space, city, society together, to make the works interesting, meaningful and valuable. While Hei Yiyang is often cast in the lineup of artists pushing creative boundaries, advertisement and design, his work has, in actuality, always traced a pure arc between time, humanism and society. And Hei Yiyang prefers investigating the phenomena of sociology instead of impersonating it. Carring on their legacy, re-contextualizing art practice into cultural and political atmospheres constitutes the early focus of Hei' artistic explorously. For a long period of time the artist recorded sociology with a restrained attitude, aiming to substitute Multi-dimensional thinking and subvert traditional art concepts for rational presentations. Hei Yiyang tends to interpretate an artistic kind of science, a poetic logic. Behind each project is an extensive process of research, involving a mapping of the process through a series of collage and photography. His collage, installation, video and documentary touch upon the recurring topics of social phenomenon, conflict, humanity, time and national frontiers. Key to Hei's interest in conflict is its interplay with time. Eventually presents the contemporary social and cultural analysis from an artist's view. XIANGDEMEI “XIANGDEMEI”is an experimental contemporary art organization founded in 2015. The Chinese character “XIANGDEMEI”expresses a beautiful anticipation to prensent situation; meanwhile, the mockery tone of the charater insinuate that beautiful anticipations unfavoured by others.