Alphabet in Music on 45s L featuring Nicolette Larson, Brenda Lee, Lou Reed and Paper Lace скачать в хорошем качестве

Alphabet in Music on 45s L featuring Nicolette Larson, Brenda Lee, Lou Reed and Paper Lace

Featuring Nicolette Larson, Brenda Lee, Lou Reed and Paper Lace Lotta love Nicolette Larson Imagine an album produced by Ted Templeman, and featuring the instrumental talents of Paul Barrere, Victor Feldman, Michael McDonald, Billy Payne, Klaus Voorman, Herb Pedersen, Fred Tackett, Albert Lee, Chuck Findlay, Jim Horn, Plas Johnson and Eddie Van Halen. Released on Warners, with a cover photo by Joel Bernstein. That record would be basically the most 1970s thing ever. Or maybe the second-most 1970s thing ever, after Rickie Lee Jones’s first album. That record is Nicolette, the solo debut album by Nicolette Larson, which spawned a huge hit single in her version of Neil Young’s Lotta Love. I’m Sorry Brenda Lee Little Brenda Lee -- who stood 4'9" -- was never a threat. Not to girls in her audience. "My image wasn't one of a heartbreaker," she once said. "I was the little fat girl your mother didn't mind you playing with." When Lee went to number one with this powerful and aching performance she was one of the few women -- she was 15 -- to crack the charts. Just two years previous there had only been three records by women in Billboard's end of year tally of the top 50. A Walk on the wild side Lou Reed During the peak of glam rock popularity through the ’70s, Lou Reed released “Walk on the Wild Side” and it became a classic signature Reed song. It was released on his equally essential 1972 album, Transformer. Lou Reed was the guitarist and lead songwriter of the English art-rock band The Velvet Underground, so it was no surprise that his solo music career was a hit after it took off. The song was produced by superstar David Bowie and his Ziggy-era guitarist Mick Ronson, which certainly didn’t hurt in the track becoming Reed’s biggest hit. It’s known for its catchy melody and iconic bass line, but it’s also famous for the meaning behind its lyrical content, which explores themes of gender identity, sexuality, and the underground culture of New York City, all of which were forbidden topics during the 1970s.