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László Lajtha: Symphony No. 4 in D Major, Op. 52 'Le Printemps' скачать в хорошем качестве

László Lajtha: Symphony No. 4 in D Major, Op. 52 'Le Printemps' 4 года назад

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László Lajtha: Symphony No. 4 in D Major, Op. 52 'Le Printemps'
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László Lajtha: Symphony No. 4 in D Major, Op. 52 'Le Printemps'

It is my express wish that any and all monetary compensation that may be my due from this video presentation be instead directed towards all holders of copyright. Should a change in copyright holder or status necessitate its removal, I ask only for immediate notification prior to the filing of a derogatory claim with YouTube, and I will not hesitate to delete it as soon as possible. László Lajtha (1892-1963) Symphony No. 4 in D Major, Op. 52 'Le Printemps' I. Allegro molto 0:00 II. Allegretto 10:07 III. Vivace 16:31 Hungarian Chamber Orchestra János Ferencsik, conductor László Lajtha (1892 – 1963) was a Hungarian composer, ethnomusicologist and conductor. Born to Ida Wiesel, a Transsylvanian-Hungarian and Pál Lajtha, an owner of a leather factory. The father Pál had ambitions to become a conductor, played the violin well and also composed. Lajtha studied with Viktor Herzfeld in the Academy of Music in Budapest and then in Leipzig, Geneva and finally Paris where he was a pupil of Vincent d'Indy. Before the First World War, in collaboration with Béla Bartók and Zoltán Kodály, he undertook the study and transcription of Hungarian folk song, heading up a project to produce a series of folk music recordings. Throughout the war he served at the front as an artillery officer, an experience recalled in his sombre Second Symphony (1938) – a work that remained unperformed until 1988. In 1919 he married Róza Hollós, and began teaching at the Budapest National Conservatory.Lhh (Among his pupils was the conductor János Ferencsik, who was later one of the principal champions of his music.) From 1928 he was a member of the International Commission of Popular Arts and Traditions of the League of Nations. He was also a member of the International Folk Music Council based in London. After the Second World War, Lajtha was appointed Director of Music for Hungarian Radio, director of the Museum of Ethnography and of the Budapest National Conservatory. His symphonic piece In Memoriam was the first new work to be premiered in Budapest when concerts could be given there again. In 1947–48 Lajtha spent a year in London, having been asked by the film director Georg Hoellering to compose music for his film of T. S. Eliot's verse drama Murder in the Cathedral. Rather than providing a dedicated film score, Lajtha wrote three important concert works – his Third Symphony, Orchestral Variations and Harp Quintet No.2 – extracts from which were used in the film. On his return to Hungary his passport was confiscated for having stayed too long in the West and he was removed from all the aforementioned posts. In 1951 he was awarded the Kossuth Prize for his activities in folk-music research. A commemorative plaque marks the home of Lajtha László on Váci Utca (street) in central Budapest, where he lived and worked between 1923 and 1963. Between 1923 and 1963, Lajtha lived at 79 Váci Utca (street) in the Inner City of Budapest, where a commemorative plaque has been placed. With his wife Rózsa Hollós he had two sons: László Lajtha (d. 1995) who was a world-renowned cancer researcher and Ábel Lajtha who is an internationally renowned neurologist and brain researcher living in the US.

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