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The combination minor seventh chord on the supertonic (2nd), mediant (3rd) and submediant (6th) degrees of a diatonic major scale and a diatonic lead voice may pose a problem in writing sectional harmony. This episode shows the occasional failing of the standard approaches and demonstrates the technique of connecting minor 7th chords. The examples are discussed in detail in the book Arranging by Examples: The Practical Guide to Jazz and Pop Orchestra Arranging. Contents: 00:00 What this video is about 00:29 Example 1. 4-Part sectional harmony, M7 on 2nd degree in major, diatonic stepwise lead 00:52 Technique 1. Secondary dominant chords. 01:10 Technique 2. Leading tone, ascending semitone approach 02:03 Technique 3. Connecting two minor 7th chords 03:11 Example 2. Minor 7th chord on 3rd or 6th degree in major, diatonic stepwise lead Download the demo version or purchase the Arranging book at https://www.fransabsil.nl/htm/arrbook... Support video tutorial production on this channel? PayPal donation: https://www.fransabsil.nl/htm/archive... Website: https://www.fransabsil.nl #JazzArranging #SectionalHarmony #ArrangingTechnique