Music, Consciousness & Synaesthesia, ASCC 2021.S Rudenko, N. Sagiv & N, Xiong. Tel Aviv. скачать в хорошем качестве

Music, Consciousness & Synaesthesia, ASCC 2021.S Rudenko, N. Sagiv & N, Xiong. Tel Aviv.

ASSC 2021 Association for Scientific Studies of Consciousness conference Zoom recording, Tel Aviv Dr. Noam Sagiv, Psychology, Brunel University, UK Synaesthesia: A window into human conscious perception Just as perceptual illusions and deficits can tell us much about how the mind works, looking at positive symptoms like synaesthesia, phantoms and hallucinations can also be instructive. It is becoming increasingly clear that synaesthesia may serve as an interesting test case and perhaps a model-problem for the scientific study of consciousness. I will illustrate this for three problems: the neural correlates of consciousness, individual differences in perception, and social cognition/perception. Some of the specific questions I will address include the extent to which we could compare experiences, and how we construct our social world - perceive/understand others' feeling, intentions, and more generally mental states. I will present data from our studies of grapheme personification and object personification in synaesthetes - benign forms of hypermentalising, if not novel types of synaesthesia in their own right. Dr Svetlana Rudenko, pianist, TUDublin, tPOT research group School of Electric & Electronic Engineering, Ireland Music and Consciousness: Cognitive Musicology via Synaesthesia and Cross-modal associations of musical texture There is variety of music analysis reflecting on musical structures, examining composer’s style and reception history of the composition. There is no methodology reflecting on music consciousness of the performer or composition and audience in response to shared conscious experience. The closest discipline reflecting on mental mechanisms is music perception and cognition studies. Cognitive Musicology is using computational tools to reflect on momentum of perceptions during music performance. Author here offers methodology of art visualisations on music analysis based on cross-modal associations and synaesthetic perceptions of musical texture, reflecting on mind, sensory experiences, culture and epoch of the composition. Musical texture is a DNA of the musical composition, created by a complex of elements such as rhythm, melody and harmony organization. Alternative model of music analysis based on audibly and visually recognisable archetypes of musical texture was applied to works of symbolist composer A. Scriabin, https://vimeo.com/337354023 demonstrating Musical Consciousness experience. Together with audio stimulus, other areas of the brain, responsible for processing visual, tactile, olfactory experiences, get involved in music listening or music performance. Synesthesia experiences broaden our understanding of how musical sounds could be perceived. Piano Performance of Chopin Ballad N1 in G-minor Op. 23 Ninghui Xiong, synaesthete artist, researcher, Synaesthesia Alliance China/ painted the expression of Chopin Ballad N1.