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Maddie Marlow and Taylor Dye never intended to hit a nerve when they sat down on St. Patricks Day and wrote “Girl In A Country Song.” Merely expressing their own reaction to the reductive tilt of today’s BroCountry, the pair and co-writer Aaron Scherz shamelessly skewered its Xeroxed stereotypes; “Girl” was as much a lark as it was ever “meaningful social commentary.” Yet the response was so instant and intense, there was no denying it. NPR’s “All Things Considered” cited Maddie & Tae for “turning heads in different ways with their very first single,” Rolling Stone cited them as one of “10 New Artists You Need to Know” and David Letterman couldn’t get the plucky duo to New York fast enough. Even elevated cultural think-tank The Atlantic marveled, “Cheekily appropriating much of the sound of modern country, the two young women directly quote well-known bro-country lyrics and titles…” No one was more surprised than the natives of Sugar Land, Texas and Ada, Oklahoma. Still in the studio tracking overdubs for “Girl,” they signed their record deal before Dan Huff had even finished four sides on the sunshine’n’moxie pair. “We wanted to go at it from a girl’s perspective, and we wanted to put ourselves in the shoes of this girl,” says Dye. “You know, how does she feel wearing those cut-off shorts, sitting on the tailgate?” “Boys, we love you, we want to look good, but it’s not all we’re good for,” Marlow cautions with a laugh. “We are girls with something to say. We were brought up to know how we should be treated.” Simple as that. But there’s so much more to Maddie & Tae than the song that is either a feminist declaration, an echo of Janet Jackson’s rebuke “I’ve got a name, and it ain’t ‘Baby’,” or this year’s feel-good finger-wag to dumb boys. NPR’s lead pop critic Ann Powers agrees, “Maddie and Tae are more. They’re songwriters, powerful harmonizers, and in the video for ‘Girl In A Country Song,’ natural comediennes.” One listen to their self-titled EP shows that. The reeling mean-girl send-up “Sierra,” with its bending steel and trotting acoustic guitar, boasts harmonies that turn in on each other and the kind of truth that’s hilarious and straight-up. “There was this beauty-queen bully from high school who sent my friends and I home in tears plenty of times,” Marlow explains. “In order to get over it, I had to write a song. So I brought the idea of ‘Sierra,’ and started singing, ‘I wish I had something nice to say…’ MORE INFO AT http://www.maddieandtae.com/bio/