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#robots #art #scifi In Episode 14 of The Cloud Chambers of the Primordial 808, we present an Artist Showcase featuring the duo Post Organic Bauplan (POB) — Josefina Maro and Salvador Marino. Originally from Argentina and now based in Berlin, POB create a living laboratory of post-organic bodies, merging robotics, prosthetics, speculative biology, dance, and performance. Their practice pushes beyond human limits — reimagining movement through interfaces, experimenting with new limbs, and questioning what it means to co-exist with technology. This conversation reveals parts of their philosophy, their process, and the story behind their name — a rare glimpse into one of today’s fast forward-thinking art projects. 00:00 INTRO by vinco.zone 00:52 Who is Post-Organic Bauplan? 02:20 LAMB & BUNGALOVV - video performance ANNEX in collaboration with Vesper 04:22 Q&A 1: Where does the name Post-Organic Bauplan come from? w. Josefina Maro 06:38 Q&A 2: How did your journey of Collaboration start? w. Salvador Marino 08:33 Oliver Torr for the live performance Desbredar 13:23 How do your personal backgrounds inform the artistic language of your duo? w. Josefina Maro 15:42 Salvador Marino about entering the world of performance 17:00 Josefina Maro about parasitism 20:21 Salvador Marino about breaking hierarchy 21:04 Myan Bevel Kia for the live performance Autotomie der Gastgebekorper trilogy pt. II 23:35 Q&A 3: Do you feel you are creating a new kind of Anatomy or a new kind of Poetics? w. Josefina Maro 24:40 Salvador Marino about extending bodies and linking humans to robotic devices 26:47 Q&A 4: So do you make these robots for individuals in specific? w. Salvador Marino 28:10 Salvador about Research and results with their robotic vaccuum chambers 28:45 Josefina about Capitalism, technology and lithium excavation. 30:17 Salvador about criticising technology 31:00 Q&A5: Elaborate on your Future visions and aesthetics w. Salvador 32:10 about Capitalism and post-Apocalyptic visions 32:56 future visions w. Josefina 34:47 organic movement in robotic devices 35:29 everyone should be able to make robotic devices 35:52 Q&A 6: how do you conceive of the prosthesis, is it a tool or a collaborator. w Josefina 36:32 Josefina about the Software, the flaws and the character of the prosthesis 37:46 some people think these devices could be used for sexual pleasure 38:10 Salvador about imagination of the spectators 39:44 How do you approach the technical process of creating your prosthetic devices from scratch? w. Salvador 41:52 Q&A 7: How did you select your interface? w. Salvador 42:16 Q&A 8: Where do you locate the policital dimension of your practice / in your practice? w. Salvador 43:10 Q&A 9: How do you conclude on decisions together, how do you deal with disagreement in your collaboration? w. Josefina 45:04 Josefina about their meeting structure 45:38 Salvador about their collaboration 46:54 Q&A 10 What would your dream performance look like? 47:10 Josefina about their next performance 49:10 Salvador about his dreams 51:55 How can we support your work? 52:55 outro w. vinco.zone 54:00 Terence Mckenna - Message for artists