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Early in 2013, Peter & Annemiek [DE PLAYER: http://deplayer.nl] invited me to participate in the Rotterdam Opera Days Festival, helping them co-produce an evening on yodeling in conjunction with publication of YODEL IN HIFI [http://uwpress.wisc.edu/books/4594.htm]. What resulted was an incredible hybrid: yodeling + opera + avant garde stretching of the meaning of any genre but especially one as so totally associated with rarefied & elitist culture. Opera was once, believe it or not, entertainment for regular working class people. Opera also has close associations with yodeling that were forged back in the early hippie days of the romantic era [early 19th century]. This evening proved that the human ear & the human tendency toward presumption & prejudice is fairly open to adjustments of cliches & preconceptions about something like yodeling. I will also be uploading the performers who so entertainingly & movingly proved that the yodel is a flexible & fun tool that can be applied to everything from Dada to hiphop to opera & even John Cage as Phil Minton shows... Intro vocals: the Hmong; outdo vocals: Parissa. Camera: Nina Ascoly.This is a slightly edited version of reality. Warning: These yodels are presented for educational purposes only. Any entertainment derived herein is purely coincidental & the responsibility of the viewer. bart plantenga: http://bartplantenga.weebly.com.