Charlie Parker's Bille's Bounce - Performed by Floating Rate Notes チャーリーパーカーのビリーズバウンスを３ピースバンドで演奏してみた скачать в хорошем качестве

Charlie Parker's Bille's Bounce - Performed by Floating Rate Notes チャーリーパーカーのビリーズバウンスを３ピースバンドで演奏してみた

Tokyo based trio, Floating Rate Notes (FRNs) performing one of Charlie Parker's great compositions, "Billie's Bounce". This is a 2nd video of the "Let's Play Jazz Standard" series. We are planning to upload a jazz tune every month. FRNs are; Masa "The Machine" Kaida on drums,    / @masathemachine.     / masa_the_machine     / masathemachine     / masa3508   Yu-ya Mitsukui on Guitar,   / mitsukuiyuya     / mitsukui   Makoto Sato on Bass.   / jbass73makoto     / jyonpoltil   Recorded with TASCAM US 4 x 4 for drum set, guitar, and bass. and a pair of audio-technica AT2020 for drum set. Masa uses; Ludwig black beauty snare Sonor SQ2 drum set Meinl cymbals Paiste cymbals Dw 9000 drum pedal. Yu-ya uses; Fender American Standard Channel Bound Stratocaster. POD HD500X Makoto uses; Ken Smith Design Brooklyn BR695 ZOOM B3 Please subscribe and follow us on facebook, instagram, and twitter. ----A brief story about this video series---- The music genre, Jazz is the mystery to many, at least it was to me. It was kind of hard to start playing and learning it all by myself. I studied it little bit when I was in school and my teacher changed my whole understanding about Jazz. Back in the day, I used to think that Jazz has very strict rules. You have to play with a certain pattern on ride cymbal EVERY TIME or keep the left foot on 2 and 4 till DEATH. And if you get loud, you are FIRED!!! Playing Jazz or any genre of music is not about playing patterns, its a lot deeper. One day I asked my teacher, "What is the most important rule about playing Jazz ?" he replied, "There are no rules about playing Jazz". I couldn't fully understand what he really meant until later. I believe we all should have our own version of playing "Jazz. How far to dig it is the choice of oneself. To be honest, I am not a Jazz drummer. More like a rock drummer according to people whom I have played with. But why couldn’t a rock drummer play Jazz? Who said he can't? Interestingly, I get offered to do lots of Jazz gigs theses days. I can't melt the venue down and get standing applause with my playing but I can play it though just fine. So I decided to make a video series of my version of how to play Jazz for a drummers like me. Let's face it, we will never be perfect. I don't think there is such a thing. But we still love and play music. Right? Don't pull yourself back by saying, "Oh I'm not good enough yet". Jump on it, try playing it. I'm sure you will find some fun. 東京を拠点に動画投稿などで活動している、 Floating Rate Notes - フローティングレイトノーツによる、チャーリーパーカーの”ビリーズバウンス”演奏動画です。 毎月一曲ジャズの有名なスタンダードをアップしていきます。 メンバー紹介: Masa "The Machine" Kaida on drums,    / @masathemachine.     / masathemachine     / masa3508   Yu-ya Mitsukui on Guitar,   / mitsukuiyuya     / mitsukui   Makoto Sato on Bass.   / jyonpoltil   フェイスブック、インスタグラム、ツイッター、 良いね、フォローお願いします。 レコーディング機器： オーディオインターフェース : TASCAM US 4 X 4 ドラムマイク : Audio-technica AT2020 x 2本 Masa使用機材： Ludwig black beauty snare Sonor SQ2 drum set Meinl cymbals Paiste cymbals Dw 9000 drum pedal. Yu-ya使用機材： Fender American Standard Channel Bound Stratocaster. POD HD500X Makoto使用機材： Ken Smith Design Brooklyn BR695 ZOOM B3