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Pf: Marc-André Hamelin; Casals Hall, Tokyo; December 14, 1997 Performance video: • Видео ----- "I must have inherited a double-note gene or something! Double notes of any kind usually pose thorny problems, but they also yield textures of uncommon richness, and somehow it was my thought that this could be applied to Rossini's wonderful song 'La Danza'. I felt particularly cheerful and mischievous in the short period of time I wrote this piece (about three or four days) and set about to turn the piece practically upside-down, especially during the second couplet. Poor Rossini is here subjected to sudden major-minor shifts, melodic inversions, a tune that starts a third too high, blue-note chords, and what amounts to something of a full-blown epileptic seizure towards the end. Also, in bars 81-88, there is a very slight allusion to the 'Gigue' from Bach's 'Fifth French Suite', for no particular reason." -M.A.H. ----- Buy Hamelin's performances of the études here: http://www.hyperion-records.co.uk/dc.... Buy the book of études here: http://www.edition-peters.com/product...