High-end Bass Guitar Reamping at Weathervane Music - Tape, Outboard, and U67 скачать в хорошем качестве

High-end Bass Guitar Reamping at Weathervane Music - Tape, Outboard, and U67

Field trip! This episode is at Weathervane Music and Brian McTear gives us a step-by-step breakdown of how he re-amps bass guitar. If you are inspired by Weathervane Music like I am, then you might want to check out memberships. For CSL viewers, it's 10% off. Check it out here: http://weathervanemusic.org/creatives... (I donated my time to make this video, and I don't get any commission on memberships. I made this video because I wanted to help promote what they do, and they have been a huge inspiration to me and my recording.) Bass reamping starts with setting up the DI box for the bass guitarist. This DI box goes into the preamp to be recorded by the tape machine with the other tracks. Using a DI box for the bass guitar gives us an advantage during recording, because we can use our microphones for drums or guitars, and then use our best microphones later during the re-amp process. However, re-amping also lets us have isolation of each sound, even though the bass player may have been standing in the same room with the drummer. We can record live, but we don't have any bass cabinet bleed into the drums. Brian shows us how he sets up his Creation Audio Labs MW1 reamp device to send the signal out to the amp, and how he re-records that signal. The whole signal path of the bass guitar in the final mix: bass guitar to DI box, to tape machine, then dump to Pro Tools. Pro Tools line level out into the MW1 reamp box, into the Matchless bass amp, and recorded with the Neumann U67, into the AML 1073 style preamp and EQ, and into the LA2A. That signal is recorded below the original signal from the tape recording, and the two are blended together to get a sound in the final mix.