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Making a flame worked glass dragonfly. Lamp working. I have been working with glass, as you see here, since 1975. This is all I have ever done, professionally. Over the years, I have made hundreds of different figurines. Unabashedly commercial in my approach, especially at first, my wife and I continue to find a market for our product. Initially, I used only clear borosilicate glass and like many flame workers, would apply topical colourants or fired precious metal highlights for special effect. For the last few years I have been enjoying the high quality coloured glass being produced by various firms in the US. (in the name of simplicity, I now generally deal with one firm, Glass Alchemy, http://www.glassalchemy.com - a great outfit to deal with, by the way) Also, with the advent of dichroic coatings (Dichroic Alchemy http://www.dichroicalchemy.com), everyone has all sorts of dynamic combinations of material to work with. All told, I find flame working more interesting than ever and the possibilities seem endless. In fact, I find the new materials positively inspiring. From Wikipedia, the free encyclopedia (Redirected from Flameworking) Lampworking is a type of glasswork that uses a gas fueled torch to melt rods and tubes of clear and colored glass. Once in a molten state, the glass is formed by blowing and shaping with tools and hand movements. It is also known as flameworking or torchworking, as the modern practice no longer uses oil-fueled lamps. Although the art form has been practiced since ancient Syrian (1 Century B.C., B. Dunham) times, it became widely practiced in Murano, Italy in the 14th century. In the mid 19th century lampwork technique was extended to the production of paperweights, primarily in France, where it became a popular art form, still collected today. Lampworking differs from glassblowing in that glassblowing uses a blowpipe to inflate a glass blob known as a gob or gather, whereas lampworking manipulates glass either by the use of tools, gravity, or by blowing directly into the end of a glass tube. Early lampworking was done in the flame of an oil lamp, with the artist blowing air into the flame through a pipe. Most artists today use torches that burn either propane or natural gas, or in some countries butane, for the fuel gas, with either air or pure oxygen (which can be produced by an oxygen concentrator) as the oxidizer. Many hobbyists use MAPP gas in portable canisters for fuel. Lampworking is used to create artwork, including figurines, trinkets, curios, Christmas tree ornaments, beads and much more. It is also used to create scientific instruments as well as glass models of animal and botanical subjects.