Yashwantbuwa Joshi | Gaud Malhar | बूँद बूँद लागी buuNd buuNd laagii | लाडी लाडीसी laaDii laaDiisii скачать в хорошем качестве

Yashwantbuwa Joshi | Gaud Malhar | बूँद बूँद लागी buuNd buuNd laagii | लाडी लाडीसी laaDii laaDiisii

00:00 बूँद बूँद लागे 06:22 लाडी लाडीसी* झूले 00:00 बूँद बूँद लागी रे बरसन को चहु दिस अंधियारी छाई घिर घिर आयी बदरिया गरज गरज घन बरसत पियू बिन जिया न [?] निकसत चमकन लागी बिजुरिया 06:22 लाडे लाडेसी झुले लाडेली लाड करे लालन सो गरजत बरसत पैंया परत गरवा लागत मोतिन के हरवा डारत गर बिच प्यारे कुचन की उबार पर बहार कर श्रृंगार डारत है जोबन को देखत मन में डरे *** The Rampur/Agra-walas have a similar bandish as given below: प्यारी लाड से* झूले लाडली लाड करे आयी री गरजत बरसत फुइयाँ* परत गरवा लगत दादर बोले पपीहा बोले मोर सोर करे इनायत की मोहे याद सताये** (**बिजरी की चमक से हियरा डरत) Pease note: फुइयाँ* means drizzle / spray *** Yeshwant Balkrishna Joshi (1928 – October 5, 2012) Yeshwant Balkrishna Joshi, also known as Yeshwantbuwa Joshi, was a Hindustani classical vocalist associated with the Gwalior gharana. He was born in Pune in 1928 and trained under Mirashi Buwa, later becoming a disciple of Jagannathbuwa Purohit (Gunidas). His music was also influenced by Gajananbua Joshi and Chhota Gandharva. After early training in Pune, he moved to Bombay around 1950 to continue his study under Jagannathbuwa Purohit. He performed extensively in concerts and on All India Radio, maintaining a traditional Gwalior style of khayal singing. Among his students were Ram Deshpande and Asha Khadilkar. In 2003 he was selected for the Sangeet Natak Akademi Award for Hindustani vocal music, which he received from the President of India, APJ Abdul Kalam, in October 2004. Yeshwantbua Joshi died on October 5, 2012. *** Shared strictly for educational, research, and non-commercial entertainment purposes under fair use and YouTube's copyright policies. This channel is not monetised and never will be. No copyright infringement is intended. If you wish for any recording to be removed, please don’t issue a copyright strike – just leave a comment and I’ll address it right away. Your help is welcome in correcting or completing lyrics, crediting the author, or identifying the raag.