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1 - 'Matin Responsary', plainsong(after Palestrina); 2 - 'Hymn to the Mother of God', John Tavener John Tavener first came to public attention in 1968 with the premiere of his oratorio The Whale at the inaugural concert of the London Sinfonietta. The Beatles subsequently recorded this on their Apple label. Although Tavener's avant-garde style of the seventies contrasts with the contemplative beauty of his works for which he is best known, the seeds of the language he would later adopt were already in evidence. His early compositions, notably Thérèse (1973) commissioned by the Royal Opera House and A Gentle Spirit (1977) after the short story by Dostoyevsky, showed that spirituality and mysticism were to be his primary sources of inspiration. His conversion to the Orthodox Church in 1977 resulted from his growing conviction that Eastern traditions retained a primordial essence that the west had lost. Works such as The Lamb (1982), and the large-scale choral work Resurrection (1989) date from this period. It was in 1989 that Tavener once again came firmly into the limelight, when the Proms premiere of The Protecting Veil introduced his music to a new audience. The opera Mary of Egypt, premiered at the Aldeburgh Festival in 1992. The same year, a major documentary, 'Glimpses of Paradise' was broadcast on BBC2. His 50th birthday year was marked in 1994 by the BBC's Ikons Festival, as well as another major Proms commission - The Apocalypse. In 1997, the performance of Song for Athene at the close of Princess Diana's funeral showed that the profound effect of his music reached far beyond just the concert-going public.