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Listen to the full album: http://bit.ly/2KnI6HW "Fool's Game" by Glen Hansard from the album 'This Wild Willing,' available now Order at https://glenhansard.ffm.to/thiswildwi... Ian, hello! I just had the first moment of quiet here at the American Hotel in Amsterdam. I made a cup of tea and read your mail – which I’d been waiting to do, looked forward to even – and I’m knocked out by your sense of perception with this set of images and characters. It’s funny: I see it as characters too, not just as myself singing a song I wrote. There’s a kind of drama running through the shots, although it was all filmed by Myles O’Reilly in his very open style, with the occasional set-up (for example; the man asleep at the table with taxi money). My idea was to take the camera into a night in Paris, stay up with friends till dawn drinking, eating, talking, and sing the song occasionally as the night went on. The main theme for me was “fraternity”, friends sharing time. It’s almost a continuation of the night that we filmed “I’ll Be You, Be Me”. Maybe this is what happened after the filming? Maybe the band went for drinks? Where did they go? Who did they meet? Every evening in Paris with these guys was a little bit like this, a magical ride through the city’s back side. But what you saw in it fascinates me; this character apart in a crowd, unmoored in the night but tied to his thoughts. When you describe it, I can feel that narrative very strongly and it must be true to a degree, because when I sat with all the footage and began to carve a story, I somehow knew that I must keep the singing character at some distance, far away in his thoughts. The song is a meditation on the wild ride we go on when we surrender to another; the giving up of control; the vulnerability of loving and being loved. ‘Don’t let anyone advise us,’ it says, ‘because whatever happens, I only answer to you, and you to me’. Anyone who gives love advice is simply not to be trusted. Maire appears in the clip as a guardian, watching over our character. She’s on the same streets, in the same rooms, the same night, but she’s just watching, staying near. Almost like a Wim Wenders Wings of Desire angel. With love and gratitude, Glen x Filmed by Myles O'Reilly in Paris, France Edited by Glen Hansard in Dublin, Ireland Aida Shahghasemi filmed by Arash Nikazad in Tehran, Iran for ArtBox With special thanks to Francois Lecoq, Olivier Brandicourt, James Thiérrée, Máire Saaritsa, Chloe and all the students from the Ecole Lecoq, Stephen Patrick Allen and Steven O'Connor Lyrics It’s a fool’s, fool’s game Lover, that we have to play Crashing into each other No convalescing It’s a leap of faith Lover, that we blindly take I’m taking it with you and no other No hesitating And if our minds they go And our bones they shatter We’ll put it on nobody But ourselves It’s an old refrain Lover, that we hear again Urging a cautious measure Sounding a warning It’s a thin escape Lover, that we hope to make When we’re beaten, broken and battered Beyond consoling And the breezes blow And to the winds we’re scattered And we’re fending for nobody But ourselves It’s a fool’s, fool’s game When you’ve nothing but a heart to break Better keep on breaking it, lover Until it opens It’s a speeding train Beating through the pouring rain With no way to slow or stop it And the tracks are broken Like a rising wave Through the storms we gather And we’re falling on nobody But ourselves Glen Hansard: Keyboards, Vocals, Guitars Earl Harvin: Drums, Vocals Joseph Doyle: Bass, Vocals Ruth O’Mahony Brady: Keyboards, Piano, Vocals Aida Shahghasemi: Vocals, Percussion David Cleary: Sounds Dunk Murphy: Keyboards, Sounds Michael Buckley: Horns Pouyã Khoshravesh: Vocals Mãni Khoshravesh: Vocals Nimã Khoshravesh: Vocals Javier Mas: Spanish Guitar, Vocals Nadia Genet: Vocals David Odlum: Moog Official Site: http://glenhansard.com Facebook: / glenhansardmusic Twitter: / glen_hansard Instagram: / glenhansard #glenhansard #thiswildwilling #antirecords