ะฃ ะฝะฐั ะฒั ะผะพะถะตัะต ะฟะพัะผะพััะตัั ะฑะตัะฟะปะฐัะฝะพ ๐ฆ๐ผ๐ป๐ด ๐ผ๐ณ ๐ฆ๐ผ๐น๐ผ๐บ๐ผ๐ป / ๐ฆ๐ผ๐ป๐ด ๐ผ๐ณ ๐๐ผ๐ป๐ด๐ แดษดแดษชแดษดแด สแดแด แด แดแดแดแด ืึผึดืงึผึทืฉืึฐืชึผึดืื, ืึฐืึนื ืึฐืฆึธืืชึดืื ะธะปะธ ัะบะฐัะฐัั ะฒ ะผะฐะบัะธะผะฐะปัะฝะพะผ ะดะพัััะฟะฝะพะผ ะบะฐัะตััะฒะต, ะบะพัะพัะพะต ะฑัะปะพ ะทะฐะณััะถะตะฝะพ ะฝะฐ ัััะฑ. ะะปั ัะบะฐัะธะฒะฐะฝะธั ะฒัะฑะตัะธัะต ะฒะฐัะธะฐะฝั ะธะท ัะพัะผั ะฝะธะถะต:
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ะะะะะะขะ ะะะะกะฌ ะธะปะธ ะพะฑะฝะพะฒะธัะต ัััะฐะฝะธัั
ะัะปะธ ะฒะพะทะฝะธะบะฐัั ะฟัะพะฑะปะตะผั ัะพ ัะบะฐัะธะฒะฐะฝะธะตะผ, ะฟะพะถะฐะปัะนััะฐ ะฝะฐะฟะธัะธัะต ะฒ ะฟะพะดะดะตัะถะบั ะฟะพ ะฐะดัะตัั ะฒะฝะธะทั
ัััะฐะฝะธัั.
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๐๐๐ข๐ข๐ ๐๐ฃ๐จ๐๐ข๐๐ก๐ - ๐๐ก๐ค๐๐๐ก ๐๐๐๐ง๐๐ฌ & ๐ ๐๐ฌ๐๐จ๐ ๐ข๐ช๐จ๐๐: ๐ฉ๐ง๐๐๐๐ฉ๐๐ค๐ฃ๐๐ก & ๐ค๐ง๐๐๐๐ฃ๐๐ก Purchase albums, music sheets - http://www.yammaensemble.com/shop Support - http://www.yammaensemble.com/donation FB - ย ย /ย yammaensembleย ย Visit Yamma - http://www.yammaensemble.com Spotify - https://open.spotify.com/artist/46Afa... ๐ฆ๐ผ๐ป๐ด ๐ผ๐ณ ๐ฆ๐ผ๐น๐ผ๐บ๐ผ๐ป / ๐บ๐๐๐ ๐๐ ๐๐๐๐๐ ืึผึดืงึผึทืฉืึฐืชึผึดืื, ืึฐืึนื ืึฐืฆึธืืชึดืื แดษดแดษชแดษดแด สแดแด แด แดแดแดแด ููุดููุฏู ุงูุฃูููุงุดููุฏู ๐ ๐๐ผ๐๐ด๐ต๐ ๐ต๐ถ๐บ ๐ฏ๐๐ ๐ฑ๐ถ๐ฑ ๐ป๐ผ๐ ๐ณ๐ถ๐ป๐ฑ ๐ต๐ถ๐บ - new release from Yamma's 4th album ๐ง๐ผ ๐ฎ๐๐ฎ๐ธ๐ฒ๐ป ๐น๐ผ๐๐ฒ 2023 ๐ป๐๐๐๐ ๐ฎ.๐จ ๐บ๐๐๐๐ - lead vocals ๐จ๐๐๐ ๐ฉ๐๐๐๐๐๐๐ - back vocals, double bass ๐จ๐๐๐ ๐ฉ๐๐๐๐ - back vocals, guitar ๐๐๐๐๐๐ ๐ซ๐๐๐ - ney (middle eastern flute) ๐ต๐๐ ๐ฉ๐๐ ๐ฎ๐๐๐๐ - frame drum lyrics: from the biblical book ๐บ๐๐๐ ๐๐ ๐๐๐๐๐ / ๐บ๐๐๐๐ ๐๐ ๐บ๐๐๐๐๐๐ (3, 1,2 + 2, 11) composition & arrangement: ๐จ๐๐๐ ๐ฉ๐๐๐๐ & ๐ป๐๐๐๐ ๐ฎ.๐จ ๐บ๐๐๐๐ Recording at Ogen studio: ๐บ๐๐๐๐๐ ๐ฎ๐๐๐๐ Mix: ๐จ๐๐๐ ๐ฉ๐๐๐๐๐๐๐ Mastering: ๐ฎ๐๐๐ ๐๐ ๐ด๐๐๐๐๐๐๐๐ Music Production: ๐จ๐๐๐ ๐ฉ๐๐๐๐ Executive producer: ๐ป๐๐๐๐ ๐ฎ.๐จ ๐บ๐๐๐๐ Guiding Arabic pronunciation: ๐ซ๐ง. ๐น๐๐๐ฎ๐ ๐ฉ๐ช๐๐๐๐ง๐ ๐๐ถ๐ฑ๐ฒ๐ผ ๐ฝ๐ฟ๐ผ๐ฑ๐๐ฐ๐๐ถ๐ผ๐ป - Director of Photography & Editing: ๐ฉ๐๐๐ ๐น๐๐๐๐๐๐๐๐๐๐ Video editor: ๐ฎ๐๐๐๐ ๐๐๐๐๐ Make up: ๐น๐๐ ๐น๐๐๐๐๐๐๐ Light designer: ๐ฌ๐๐๐ ๐ฉ๐๐ ๐๐๐๐๐ ๐ ending calligraphy logo - ๐จ๐๐๐๐๐๐ ๐ฉ๐๐๐๐๐๐๐๐๐ Hebrew master scribe and calligraphy artist https://www.borshevsky.com ______________ ืึผึดืงึผึทืฉืึฐืชึผึดืื, ืึฐืึนื ืึฐืฆึธืืชึดืื ืืชืื ืืืืืื ืืจืืืขื: ืืขืืจืจ ืืืื 2023 ืืืื ื. ืกืืืื - ืฉืืจื ืืืจื ืืืจืืืื - ืงืืืืช ืจืงืข, ืงืื ืืจืืก ืืืื ืืืจ - ืงืืืืช ืจืงืข, ืืืืจื ืืื ื ืืจืืจ - ื ืื ื ืืจ ืืจ ืืืจื - ืชืืฃ ืืกืืจืช ________ ืืืืื: ืฉืืจ ืืฉืืจืื ืขืืืื ืืืื: ืืืื ืืืจ, ืืืื ื. ืกืืืื ืืืงืก: ืืืจื ืืืจืืืื ืืงืืื: ืฉืืืื ืืืืืื, ืืืืคื ื ืืขืืื ืืืกืืจืื ื: ืืืืื ืืืกืืจืื ื ืืคืงื ืืืืืงืืืช: ืืืื ืืืจ ืืคืงื: ืืืื ื .ืกืืืื ืื ืืืืช ืืืืื ืขืจืืืช: ืืดืจ ืจืืืืื ืืืจืืืจื ืืืืืช ืฉึดืืืจ ืึทืฉึดึผืืืจึดืื ืืจืืฉืื ื ืืงืืืฅ ืืืฉ ืืืืืืช ืฉื"ืืชืืืื" ืืชื "ื. ืืืื ืกืืจื ืฉื ืฉืืจื ืืืื ืืื ืื ื ืืื, ืืืจ ืืืืฉื, ืืคืื ืื ืื ืื ืื. ืืืกืืจืช ืื"ื ื ืชืคืจืฉื ืฉืืจืื ืืื ืืืืคื ืืืืืจื, ืืืฉื ืืืืกื ืขื ืืฉืจืื ืืืืืืื. ืืืกืืจืช ืื ืืฆืจืืช ืืืคืืข ืคืืจืืฉ ืืืืืจื ืืืื, ืืจืืื ืืืืืื ืืืืื ืืืืกื ืืฉื ืืืื ืกืืื ืื ืืฆืจืืช. ืืืืืช ืฉืืจ ืืฉืืจืื ืืฉืคืืขื ืจืืืช ืขื ืืฉืืจื ืืขืืจืืช ืืขื ืืกืคืจืืช ืืขืืืืืช. Song of songs. The song of Solomon. fifth or fourth century comprises a collection of profane love songs and epithalamia. Song of songs - Many waters cannot quench love ููุดููุฏู ุงูุฃูููุงุดููุฏู - ู ูููุงูู ููุซููุฑูุฉู ูุงู ุชูุณูุชูุทููุนู ุฃููู ุชูุทูููุฆู ุงููู ูุญูุจููุฉู ๐๐๐๐๐๐ฅ๐ข๐จ๐ก๐ The Song of Songs also Song of Solomon is one of the megillot (scrolls) found in the last section of the Tanakh, known as the Ketuvim. it celebrates passionate love, giving "the voices of two lovers, praising each other, yearning for each other, proffering invitations to enjoy . The two are in harmony, each desiring the other and rejoicing in sensual intimacy; The Song of Songs has a long history of being read as a religious text, but โsecularโ readings of the work (or, more precisely, interpretations that do not assume the text is a religious allegory) are also possible, and in recent decades have become common. ๐ช๐๐๐ก ๐๐ฆ ๐๐จ๐ฆ๐ง๐ข๐ ๐๐ฅ๐ฌ ๐ง๐ข ๐ฆ๐๐ก๐ ๐ง๐๐ ๐๐๐๐ก๐ง? In modern Judaism the Song is read on the Sabbath during the Passover, which marks the beginning of the grain-harvest as well as commemorating the Exodus from Egypt. Jewish tradition reads it as an allegory of the relationship between God and Israel, Christianity as an allegory of Christ and his bride, the Church. ๐ ๐๐๐ก๐๐ก๐ The Song of Songs is a highly sensual book within the body of sacred Scripture, a love song to an unknown lover, rich with enigmatic, evocative images that tease the senses even as they confound them. It is a slippery text that resists all simple readings, and even as it weaves together phrases that resonate with other biblical passages it stands apart from them. This loveliest, most enigmatic poem of the Hebrew Bible inspired later poets. mainly of the great medieval Andalusian poets: Solomon ibn Gabirol, Abraham ibn Ezra, and Judah Halevi among them. a question that might rise: Is it a religious work, or a secular text, or were such distinctions meaningless in the world of antiquity? In recent decades the question of the Songโs sacred or profane nature has been hotly debate. The second-century Jewish sage, Rabbi Akiva, described the Song of Songs as the holiest of scriptures, saying that โall the scriptures are holy but the Song of Song is the holy of holiesโ ๐ฃ๐๐ฅ๐๐ข๐ฅ๐ ๐๐ก๐๐ The Hebrew language is the original language in which the scroll of the Song of Songs was written. The idea to combine Arabic came from the desire to create a connection and relation between the two cultures - the Arab culture and the Hebrew culture with the reference to this thousands years old love poem. The connection between Hebrew and Arabic is not only a connection between two very similar Semitic languages, but also a connection between the countries of origin of the Jews who lived in Arab countries and their descendants who were born here and grew up in Israel.Dynamics of geographic culture expressed through language.