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ะกะบะฐั‡ะฐั‚ัŒ ั ัŽั‚ัƒะฑ ๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐—ฆ๐—ผ๐—น๐—ผ๐—บ๐—ผ๐—ป / ๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐˜€๐—ผ๐—ป๐—ด๐˜€ แด€ษดแด„ษชแด‡ษดแด› สŸแดแด แด‡ แด˜แดแด‡แด ื‘ึผึดืงึผึทืฉืึฐืชึผึดื™ื•, ื•ึฐืœึนื ืžึฐืฆึธืืชึดื™ื• ะฒ ั…ะพั€ะพัˆะตะผ ะบะฐั‡ะตัั‚ะฒะต

๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐—ฆ๐—ผ๐—น๐—ผ๐—บ๐—ผ๐—ป / ๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐˜€๐—ผ๐—ป๐—ด๐˜€ แด€ษดแด„ษชแด‡ษดแด› สŸแดแด แด‡ แด˜แดแด‡แด ื‘ึผึดืงึผึทืฉืึฐืชึผึดื™ื•, ื•ึฐืœึนื ืžึฐืฆึธืืชึดื™ื• 1 ะณะพะด ะฝะฐะทะฐะด


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๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐—ฆ๐—ผ๐—น๐—ผ๐—บ๐—ผ๐—ป / ๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐˜€๐—ผ๐—ป๐—ด๐˜€ แด€ษดแด„ษชแด‡ษดแด› สŸแดแด แด‡ แด˜แดแด‡แด ื‘ึผึดืงึผึทืฉืึฐืชึผึดื™ื•, ื•ึฐืœึนื ืžึฐืฆึธืืชึดื™ื•

๐™”๐™–๐™ข๐™ข๐™– ๐™€๐™ฃ๐™จ๐™š๐™ข๐™—๐™ก๐™š - ๐™‚๐™ก๐™ค๐™—๐™–๐™ก ๐™ƒ๐™š๐™—๐™ง๐™š๐™ฌ & ๐™…๐™š๐™ฌ๐™ž๐™จ๐™ ๐™ข๐™ช๐™จ๐™ž๐™˜: ๐™ฉ๐™ง๐™–๐™™๐™ž๐™ฉ๐™ž๐™ค๐™ฃ๐™–๐™ก & ๐™ค๐™ง๐™ž๐™œ๐™ž๐™ฃ๐™–๐™ก Purchase albums, music sheets - http://www.yammaensemble.com/shop Support - http://www.yammaensemble.com/donation FB - ย ย /ย yammaensembleย ย  Visit Yamma - http://www.yammaensemble.com Spotify - https://open.spotify.com/artist/46Afa... ๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐—ฆ๐—ผ๐—น๐—ผ๐—บ๐—ผ๐—ป / ๐‘บ๐’๐’๐’ˆ ๐’๐’‡ ๐’”๐’๐’๐’ˆ๐’” ื‘ึผึดืงึผึทืฉืึฐืชึผึดื™ื•, ื•ึฐืœึนื ืžึฐืฆึธืืชึดื™ื• แด€ษดแด„ษชแด‡ษดแด› สŸแดแด แด‡ แด˜แดแด‡แด ู†ูŽุดููŠุฏู ุงู„ุฃูŽู†ูŽุงุดููŠุฏู ๐—œ ๐˜€๐—ผ๐˜‚๐—ด๐—ต๐˜ ๐—ต๐—ถ๐—บ ๐—ฏ๐˜‚๐˜ ๐—ฑ๐—ถ๐—ฑ ๐—ป๐—ผ๐˜ ๐—ณ๐—ถ๐—ป๐—ฑ ๐—ต๐—ถ๐—บ - new release from Yamma's 4th album ๐—ง๐—ผ ๐—ฎ๐˜„๐—ฎ๐—ธ๐—ฒ๐—ป ๐—น๐—ผ๐˜ƒ๐—ฒ 2023 ๐‘ป๐’‚๐’๐’š๐’‚ ๐‘ฎ.๐‘จ ๐‘บ๐’๐’๐’‚๐’ - lead vocals ๐‘จ๐’—๐’“๐’Š ๐‘ฉ๐’๐’“๐’๐’„๐’‰๐’๐’— - back vocals, double bass ๐‘จ๐’—๐’Š๐’— ๐‘ฉ๐’‚๐’‰๐’‚๐’“ - back vocals, guitar ๐’€๐’๐’๐’๐’Š๐’† ๐‘ซ๐’“๐’๐’“ - ney (middle eastern flute) ๐‘ต๐’–๐’“ ๐‘ฉ๐’‚๐’“ ๐‘ฎ๐’๐’“๐’†๐’ - frame drum lyrics: from the biblical book ๐‘บ๐’๐’๐’ˆ ๐’๐’‡ ๐’”๐’๐’๐’ˆ๐’” / ๐‘บ๐’๐’๐’ˆ๐’” ๐’๐’‡ ๐‘บ๐’๐’๐’๐’Ž๐’๐’ (3, 1,2 + 2, 11) composition & arrangement: ๐‘จ๐’—๐’Š๐’— ๐‘ฉ๐’‚๐’‰๐’‚๐’“ & ๐‘ป๐’‚๐’๐’š๐’‚ ๐‘ฎ.๐‘จ ๐‘บ๐’๐’๐’‚๐’ Recording at Ogen studio: ๐‘บ๐’‰๐’๐’๐’Ž๐’Š ๐‘ฎ๐’—๐’Š๐’๐’Š Mix: ๐‘จ๐’—๐’“๐’Š ๐‘ฉ๐’๐’“๐’๐’„๐’‰๐’๐’— Mastering: ๐‘ฎ๐’๐’๐’…๐’†๐’ ๐‘ด๐’‚๐’”๐’•๐’†๐’“๐’Š๐’๐’ˆ Music Production: ๐‘จ๐’—๐’Š๐’— ๐‘ฉ๐’‚๐’‰๐’‚๐’“ Executive producer: ๐‘ป๐’‚๐’๐’š๐’‚ ๐‘ฎ.๐‘จ ๐‘บ๐’๐’๐’‚๐’ Guiding Arabic pronunciation: ๐‘ซ๐™ง. ๐‘น๐™–๐’˜๐™ฎ๐’‚ ๐‘ฉ๐™ช๐’“๐™—๐’‚๐™ง๐’‚ ๐˜ƒ๐—ถ๐—ฑ๐—ฒ๐—ผ ๐—ฝ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป - Director of Photography & Editing: ๐‘ฉ๐’๐’‚๐’› ๐‘น๐’‚๐’ƒ๐’Š๐’๐’๐’—๐’Š๐’•๐’„๐’‰ Video editor: ๐‘ฎ๐’๐’๐’‚๐’ ๐’€๐’‚๐’Ž๐’Š๐’ Make up: ๐‘น๐’Š๐’Ž ๐‘น๐’๐’”๐’‰๐’“๐’๐’”๐’‰ Light designer: ๐‘ฌ๐’“๐’†๐’› ๐‘ฉ๐’†๐’ ๐’€๐’†๐’‰๐’–๐’…๐’‚ ending calligraphy logo - ๐‘จ๐’—๐’“๐’‚๐’‰๐’‚๐’Ž ๐‘ฉ๐’๐’“๐’”๐’‰๐’†๐’—๐’”๐’Œ๐’š Hebrew master scribe and calligraphy artist https://www.borshevsky.com ______________ ื‘ึผึดืงึผึทืฉืึฐืชึผึดื™ื•, ื•ึฐืœึนื ืžึฐืฆึธืืชึดื™ื• ืžืชื•ืš ื”ืืœื‘ื•ื ื”ืจื‘ื™ืขื™: ืœืขื•ืจืจ ืื”ื‘ื” 2023 ื˜ืœื™ื” ื’. ืกื•ืœืืŸ - ืฉื™ืจื” ืื‘ืจื™ ื‘ื•ืจื•ื›ื•ื‘ - ืงื•ืœื•ืช ืจืงืข, ืงื•ื ื˜ืจื‘ืก ืื‘ื™ื‘ ื‘ื›ืจ - ืงื•ืœื•ืช ืจืงืข, ื’ื™ื˜ืจื” ื™ื•ื ื™ ื“ืจื•ืจ - ื ืื™ ื ื•ืจ ื‘ืจ ื’ื•ืจืŸ - ืชื•ืฃ ืžืกื’ืจืช ________ ืžื™ืœื™ื: ืฉื™ืจ ื”ืฉื™ืจื™ื ืขื™ื‘ื•ื“ ื•ืœื—ืŸ: ืื‘ื™ื‘ ื‘ื›ืจ, ื˜ืœื™ื” ื’. ืกื•ืœืืŸ ืžื™ืงืก: ืื‘ืจื™ ื‘ื•ืจื•ื›ื•ื‘ ื”ืงืœื˜ื”: ืฉืœื•ืžื™ ื’ื•ื•ื™ืœื™, ืื•ืœืคื ื™ ื”ืขื•ื’ืŸ ืžืืกื˜ืจื™ื ื’: ื’ื•ืœื“ืŸ ืžืืกื˜ืจื™ื ื’ ื”ืคืงื” ืžื•ื–ื™ืงืœื™ืช: ืื‘ื™ื‘ ื‘ื›ืจ ื”ืคืงื”: ื˜ืœื™ื” ื’ .ืกื•ืœืืŸ ื”ื ื—ื™ื™ืช ื”ื’ื™ื™ื” ืขืจื‘ื™ืช: ื“ืดืจ ืจืื•ื•ื™ื” ื‘ื•ืจื‘ืืจื” ืžื’ื™ืœืช ืฉึดืื™ืจ ื”ึทืฉึดึผืื™ืจึดื™ื ื”ืจืืฉื•ื ื” ื‘ืงื•ื‘ืฅ ื—ืžืฉ ืžื’ื™ืœื•ืช ืฉื‘"ื›ืชื•ื‘ื™ื" ื‘ืชื "ืš. ื–ื•ื”ื™ ืกื“ืจื” ืฉืœ ืฉื™ืจื™ ืื”ื‘ื” ื‘ื™ืŸ ื‘ื ื™ ื–ื•ื’, ื’ื‘ืจ ื•ืื™ืฉื”, ื”ืคื•ื ื™ื ื–ื” ืืœ ื–ื•. ื‘ืžืกื•ืจืช ื—ื–"ืœ ื ืชืคืจืฉื• ืฉื™ืจื™ื ืืœื” ื‘ืื•ืคืŸ ืืœื’ื•ืจื™, ื›ืžืฉืœ ืœื™ื—ืกื™ ืขื ื™ืฉืจืืœ ื•ืืœื•ื”ื™ื•. ื‘ืžืกื•ืจืช ื”ื ื•ืฆืจื™ืช ืžื•ืคื™ืข ืคื™ืจื•ืฉ ืืœื’ื•ืจื™ ื“ื•ืžื”, ื”ืจื•ืื” ื‘ืžื’ื™ืœื” ื“ื™ืžื•ื™ ืœื™ื—ืกื™ ื™ืฉื• ื•ื”ื›ื ืกื™ื™ื” ื”ื ื•ืฆืจื™ืช. ืžื’ื™ืœืช ืฉื™ืจ ื”ืฉื™ืจื™ื ื”ืฉืคื™ืขื” ืจื‘ื•ืช ืขืœ ื”ืฉื™ืจื” ื”ืขื‘ืจื™ืช ื•ืขืœ ื”ืกืคืจื•ืช ื”ืขื•ืœืžื™ืช. Song of songs. The song of Solomon. fifth or fourth century comprises a collection of profane love songs and epithalamia. Song of songs - Many waters cannot quench love ู†ูŽุดููŠุฏู ุงู„ุฃูŽู†ูŽุงุดููŠุฏู - ู…ููŠูŽุงู‡ูŒ ูƒูŽุซููŠุฑูŽุฉูŒ ู„ุงูŽ ุชูŽุณู’ุชูŽุทููŠุนู ุฃูŽู†ู’ ุชูุทู’ููุฆูŽ ุงู„ู’ู…ูŽุญูŽุจู‘ูŽุฉูŽ ๐—•๐—”๐—–๐—ž๐—š๐—ฅ๐—ข๐—จ๐—ก๐—— The Song of Songs also Song of Solomon is one of the megillot (scrolls) found in the last section of the Tanakh, known as the Ketuvim. it celebrates passionate love, giving "the voices of two lovers, praising each other, yearning for each other, proffering invitations to enjoy . The two are in harmony, each desiring the other and rejoicing in sensual intimacy; The Song of Songs has a long history of being read as a religious text, but โ€œsecularโ€ readings of the work (or, more precisely, interpretations that do not assume the text is a religious allegory) are also possible, and in recent decades have become common. ๐—ช๐—›๐—˜๐—ก ๐—œ๐—ฆ ๐—–๐—จ๐—ฆ๐—ง๐—ข๐— ๐—”๐—ฅ๐—ฌ ๐—ง๐—ข ๐—ฆ๐—œ๐—ก๐—š ๐—ง๐—›๐—˜ ๐—–๐—›๐—”๐—ก๐—ง? In modern Judaism the Song is read on the Sabbath during the Passover, which marks the beginning of the grain-harvest as well as commemorating the Exodus from Egypt. Jewish tradition reads it as an allegory of the relationship between God and Israel, Christianity as an allegory of Christ and his bride, the Church. ๐— ๐—˜๐—”๐—ก๐—œ๐—ก๐—š The Song of Songs is a highly sensual book within the body of sacred Scripture, a love song to an unknown lover, rich with enigmatic, evocative images that tease the senses even as they confound them. It is a slippery text that resists all simple readings, and even as it weaves together phrases that resonate with other biblical passages it stands apart from them. This loveliest, most enigmatic poem of the Hebrew Bible inspired later poets. mainly of the great medieval Andalusian poets: Solomon ibn Gabirol, Abraham ibn Ezra, and Judah Halevi among them. a question that might rise: Is it a religious work, or a secular text, or were such distinctions meaningless in the world of antiquity? In recent decades the question of the Songโ€™s sacred or profane nature has been hotly debate. The second-century Jewish sage, Rabbi Akiva, described the Song of Songs as the holiest of scriptures, saying that โ€œall the scriptures are holy but the Song of Song is the holy of holiesโ€ ๐—ฃ๐—˜๐—ฅ๐—™๐—ข๐—ฅ๐— ๐—”๐—ก๐—–๐—˜ The Hebrew language is the original language in which the scroll of the Song of Songs was written. The idea to combine Arabic came from the desire to create a connection and relation between the two cultures - the Arab culture and the Hebrew culture with the reference to this thousands years old love poem. The connection between Hebrew and Arabic is not only a connection between two very similar Semitic languages, but also a connection between the countries of origin of the Jews who lived in Arab countries and their descendants who were born here and grew up in Israel.Dynamics of geographic culture expressed through language.

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