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ะ ัƒััะบะธะต ะฒะธะดะตะพ
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๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐—ฆ๐—ผ๐—น๐—ผ๐—บ๐—ผ๐—ป / ๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐˜€๐—ผ๐—ป๐—ด๐˜€ แด€ษดแด„ษชแด‡ษดแด› สŸแดแด แด‡ แด˜แดแด‡แด ื‘ึผึดืงึผึทืฉืึฐืชึผึดื™ื•, ื•ึฐืœึนื ืžึฐืฆึธืืชึดื™ื• ัะบะฐั‡ะฐั‚ัŒ ะฒ ั…ะพั€ะพัˆะตะผ ะบะฐั‡ะตัั‚ะฒะต

๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐—ฆ๐—ผ๐—น๐—ผ๐—บ๐—ผ๐—ป / ๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐˜€๐—ผ๐—ป๐—ด๐˜€ แด€ษดแด„ษชแด‡ษดแด› สŸแดแด แด‡ แด˜แดแด‡แด ื‘ึผึดืงึผึทืฉืึฐืชึผึดื™ื•, ื•ึฐืœึนื ืžึฐืฆึธืืชึดื™ื• 1 year ago

Yamma

Yamma Ensemble

biblical hebrew

song of songs music

song of songs hebrew

hebrew ancient songs

hebrew poetry in the bible

song of songs hebrew bible

hebrew biblical songs

ืฉื™ืจ ื”ืฉื™ืจื™ื

jewish chant music

song of solomon

songs from bible

hebrew poetry

hebrew ancient music

ู†ูŽุดููŠุฏู ุงู„ุฃูŽู†ูŽุงุดููŠุฏู

hebrew poem

ancient hebrew music

songs of solomon

Hebrew bible

biblical hebrew poetry

like a lily among thorns

ancient poems on love

bible song

ะะต ัƒะดะฐะตั‚ัั ะทะฐะณั€ัƒะทะธั‚ัŒ Youtube-ะฟะปะตะตั€. ะŸั€ะพะฒะตั€ัŒั‚ะต ะฑะปะพะบะธั€ะพะฒะบัƒ Youtube ะฒ ะฒะฐัˆะตะน ัะตั‚ะธ.
ะŸะพะฒั‚ะพั€ัะตะผ ะฟะพะฟั‹ั‚ะบัƒ...
๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐—ฆ๐—ผ๐—น๐—ผ๐—บ๐—ผ๐—ป / ๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐˜€๐—ผ๐—ป๐—ด๐˜€  แด€ษดแด„ษชแด‡ษดแด› สŸแดแด แด‡ แด˜แดแด‡แด  ื‘ึผึดืงึผึทืฉืึฐืชึผึดื™ื•, ื•ึฐืœึนื ืžึฐืฆึธืืชึดื™ื•
  • ะŸะพะดะตะปะธั‚ัŒัั ะ’ะš
  • ะŸะพะดะตะปะธั‚ัŒัั ะฒ ะžะš
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ะกะบะฐั‡ะฐั‚ัŒ ะฒะธะดะตะพ ั ัŽั‚ัƒะฑ ะฟะพ ััั‹ะปะบะต ะธะปะธ ัะผะพั‚ั€ะตั‚ัŒ ะฑะตะท ะฑะปะพะบะธั€ะพะฒะพะบ ะฝะฐ ัะฐะนั‚ะต: ๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐—ฆ๐—ผ๐—น๐—ผ๐—บ๐—ผ๐—ป / ๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐˜€๐—ผ๐—ป๐—ด๐˜€ แด€ษดแด„ษชแด‡ษดแด› สŸแดแด แด‡ แด˜แดแด‡แด ื‘ึผึดืงึผึทืฉืึฐืชึผึดื™ื•, ื•ึฐืœึนื ืžึฐืฆึธืืชึดื™ื• ะฒ ะบะฐั‡ะตัั‚ะฒะต 4k

ะฃ ะฝะฐั ะฒั‹ ะผะพะถะตั‚ะต ะฟะพัะผะพั‚ั€ะตั‚ัŒ ะฑะตัะฟะปะฐั‚ะฝะพ ๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐—ฆ๐—ผ๐—น๐—ผ๐—บ๐—ผ๐—ป / ๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐˜€๐—ผ๐—ป๐—ด๐˜€ แด€ษดแด„ษชแด‡ษดแด› สŸแดแด แด‡ แด˜แดแด‡แด ื‘ึผึดืงึผึทืฉืึฐืชึผึดื™ื•, ื•ึฐืœึนื ืžึฐืฆึธืืชึดื™ื• ะธะปะธ ัะบะฐั‡ะฐั‚ัŒ ะฒ ะผะฐะบัะธะผะฐะปัŒะฝะพะผ ะดะพัั‚ัƒะฟะฝะพะผ ะบะฐั‡ะตัั‚ะฒะต, ะฒะธะดะตะพ ะบะพั‚ะพั€ะพะต ะฑั‹ะปะพ ะทะฐะณั€ัƒะถะตะฝะพ ะฝะฐ ัŽั‚ัƒะฑ. ะ”ะปั ะทะฐะณั€ัƒะทะบะธ ะฒั‹ะฑะตั€ะธั‚ะต ะฒะฐั€ะธะฐะฝั‚ ะธะท ั„ะพั€ะผั‹ ะฝะธะถะต:

  • ะ˜ะฝั„ะพั€ะผะฐั†ะธั ะฟะพ ะทะฐะณั€ัƒะทะบะต:

ะกะบะฐั‡ะฐั‚ัŒ mp3 ั ัŽั‚ัƒะฑะฐ ะพั‚ะดะตะปัŒะฝั‹ะผ ั„ะฐะนะปะพะผ. ะ‘ะตัะฟะปะฐั‚ะฝั‹ะน ั€ะธะฝะณั‚ะพะฝ ๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐—ฆ๐—ผ๐—น๐—ผ๐—บ๐—ผ๐—ป / ๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐˜€๐—ผ๐—ป๐—ด๐˜€ แด€ษดแด„ษชแด‡ษดแด› สŸแดแด แด‡ แด˜แดแด‡แด ื‘ึผึดืงึผึทืฉืึฐืชึผึดื™ื•, ื•ึฐืœึนื ืžึฐืฆึธืืชึดื™ื• ะฒ ั„ะพั€ะผะฐั‚ะต MP3:


ะ•ัะปะธ ะบะฝะพะฟะบะธ ัะบะฐั‡ะธะฒะฐะฝะธั ะฝะต ะทะฐะณั€ัƒะทะธะปะธััŒ ะะะ–ะœะ˜ะขะ• ะ—ะ”ะ•ะกะฌ ะธะปะธ ะพะฑะฝะพะฒะธั‚ะต ัั‚ั€ะฐะฝะธั†ัƒ
ะ•ัะปะธ ะฒะพะทะฝะธะบะฐัŽั‚ ะฟั€ะพะฑะปะตะผั‹ ัะพ ัะบะฐั‡ะธะฒะฐะฝะธะตะผ ะฒะธะดะตะพ, ะฟะพะถะฐะปัƒะนัั‚ะฐ ะฝะฐะฟะธัˆะธั‚ะต ะฒ ะฟะพะดะดะตั€ะถะบัƒ ะฟะพ ะฐะดั€ะตััƒ ะฒะฝะธะทัƒ ัั‚ั€ะฐะฝะธั†ั‹.
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๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐—ฆ๐—ผ๐—น๐—ผ๐—บ๐—ผ๐—ป / ๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐˜€๐—ผ๐—ป๐—ด๐˜€ แด€ษดแด„ษชแด‡ษดแด› สŸแดแด แด‡ แด˜แดแด‡แด ื‘ึผึดืงึผึทืฉืึฐืชึผึดื™ื•, ื•ึฐืœึนื ืžึฐืฆึธืืชึดื™ื•

๐™”๐™–๐™ข๐™ข๐™– ๐™€๐™ฃ๐™จ๐™š๐™ข๐™—๐™ก๐™š - ๐™‚๐™ก๐™ค๐™—๐™–๐™ก ๐™ƒ๐™š๐™—๐™ง๐™š๐™ฌ & ๐™…๐™š๐™ฌ๐™ž๐™จ๐™ ๐™ข๐™ช๐™จ๐™ž๐™˜: ๐™ฉ๐™ง๐™–๐™™๐™ž๐™ฉ๐™ž๐™ค๐™ฃ๐™–๐™ก & ๐™ค๐™ง๐™ž๐™œ๐™ž๐™ฃ๐™–๐™ก Purchase albums, music sheets - http://www.yammaensemble.com/shop Support - http://www.yammaensemble.com/donation FB - ย ย /ย yammaensembleย ย  Visit Yamma - http://www.yammaensemble.com Spotify - https://open.spotify.com/artist/46Afa... ๐—ฆ๐—ผ๐—ป๐—ด ๐—ผ๐—ณ ๐—ฆ๐—ผ๐—น๐—ผ๐—บ๐—ผ๐—ป / ๐‘บ๐’๐’๐’ˆ ๐’๐’‡ ๐’”๐’๐’๐’ˆ๐’” ื‘ึผึดืงึผึทืฉืึฐืชึผึดื™ื•, ื•ึฐืœึนื ืžึฐืฆึธืืชึดื™ื• แด€ษดแด„ษชแด‡ษดแด› สŸแดแด แด‡ แด˜แดแด‡แด ู†ูŽุดููŠุฏู ุงู„ุฃูŽู†ูŽุงุดููŠุฏู ๐—œ ๐˜€๐—ผ๐˜‚๐—ด๐—ต๐˜ ๐—ต๐—ถ๐—บ ๐—ฏ๐˜‚๐˜ ๐—ฑ๐—ถ๐—ฑ ๐—ป๐—ผ๐˜ ๐—ณ๐—ถ๐—ป๐—ฑ ๐—ต๐—ถ๐—บ - new release from Yamma's 4th album ๐—ง๐—ผ ๐—ฎ๐˜„๐—ฎ๐—ธ๐—ฒ๐—ป ๐—น๐—ผ๐˜ƒ๐—ฒ 2023 ๐‘ป๐’‚๐’๐’š๐’‚ ๐‘ฎ.๐‘จ ๐‘บ๐’๐’๐’‚๐’ - lead vocals ๐‘จ๐’—๐’“๐’Š ๐‘ฉ๐’๐’“๐’๐’„๐’‰๐’๐’— - back vocals, double bass ๐‘จ๐’—๐’Š๐’— ๐‘ฉ๐’‚๐’‰๐’‚๐’“ - back vocals, guitar ๐’€๐’๐’๐’๐’Š๐’† ๐‘ซ๐’“๐’๐’“ - ney (middle eastern flute) ๐‘ต๐’–๐’“ ๐‘ฉ๐’‚๐’“ ๐‘ฎ๐’๐’“๐’†๐’ - frame drum lyrics: from the biblical book ๐‘บ๐’๐’๐’ˆ ๐’๐’‡ ๐’”๐’๐’๐’ˆ๐’” / ๐‘บ๐’๐’๐’ˆ๐’” ๐’๐’‡ ๐‘บ๐’๐’๐’๐’Ž๐’๐’ (3, 1,2 + 2, 11) composition & arrangement: ๐‘จ๐’—๐’Š๐’— ๐‘ฉ๐’‚๐’‰๐’‚๐’“ & ๐‘ป๐’‚๐’๐’š๐’‚ ๐‘ฎ.๐‘จ ๐‘บ๐’๐’๐’‚๐’ Recording at Ogen studio: ๐‘บ๐’‰๐’๐’๐’Ž๐’Š ๐‘ฎ๐’—๐’Š๐’๐’Š Mix: ๐‘จ๐’—๐’“๐’Š ๐‘ฉ๐’๐’“๐’๐’„๐’‰๐’๐’— Mastering: ๐‘ฎ๐’๐’๐’…๐’†๐’ ๐‘ด๐’‚๐’”๐’•๐’†๐’“๐’Š๐’๐’ˆ Music Production: ๐‘จ๐’—๐’Š๐’— ๐‘ฉ๐’‚๐’‰๐’‚๐’“ Executive producer: ๐‘ป๐’‚๐’๐’š๐’‚ ๐‘ฎ.๐‘จ ๐‘บ๐’๐’๐’‚๐’ Guiding Arabic pronunciation: ๐‘ซ๐™ง. ๐‘น๐™–๐’˜๐™ฎ๐’‚ ๐‘ฉ๐™ช๐’“๐™—๐’‚๐™ง๐’‚ ๐˜ƒ๐—ถ๐—ฑ๐—ฒ๐—ผ ๐—ฝ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป - Director of Photography & Editing: ๐‘ฉ๐’๐’‚๐’› ๐‘น๐’‚๐’ƒ๐’Š๐’๐’๐’—๐’Š๐’•๐’„๐’‰ Video editor: ๐‘ฎ๐’๐’๐’‚๐’ ๐’€๐’‚๐’Ž๐’Š๐’ Make up: ๐‘น๐’Š๐’Ž ๐‘น๐’๐’”๐’‰๐’“๐’๐’”๐’‰ Light designer: ๐‘ฌ๐’“๐’†๐’› ๐‘ฉ๐’†๐’ ๐’€๐’†๐’‰๐’–๐’…๐’‚ ending calligraphy logo - ๐‘จ๐’—๐’“๐’‚๐’‰๐’‚๐’Ž ๐‘ฉ๐’๐’“๐’”๐’‰๐’†๐’—๐’”๐’Œ๐’š Hebrew master scribe and calligraphy artist https://www.borshevsky.com ______________ ื‘ึผึดืงึผึทืฉืึฐืชึผึดื™ื•, ื•ึฐืœึนื ืžึฐืฆึธืืชึดื™ื• ืžืชื•ืš ื”ืืœื‘ื•ื ื”ืจื‘ื™ืขื™: ืœืขื•ืจืจ ืื”ื‘ื” 2023 ื˜ืœื™ื” ื’. ืกื•ืœืืŸ - ืฉื™ืจื” ืื‘ืจื™ ื‘ื•ืจื•ื›ื•ื‘ - ืงื•ืœื•ืช ืจืงืข, ืงื•ื ื˜ืจื‘ืก ืื‘ื™ื‘ ื‘ื›ืจ - ืงื•ืœื•ืช ืจืงืข, ื’ื™ื˜ืจื” ื™ื•ื ื™ ื“ืจื•ืจ - ื ืื™ ื ื•ืจ ื‘ืจ ื’ื•ืจืŸ - ืชื•ืฃ ืžืกื’ืจืช ________ ืžื™ืœื™ื: ืฉื™ืจ ื”ืฉื™ืจื™ื ืขื™ื‘ื•ื“ ื•ืœื—ืŸ: ืื‘ื™ื‘ ื‘ื›ืจ, ื˜ืœื™ื” ื’. ืกื•ืœืืŸ ืžื™ืงืก: ืื‘ืจื™ ื‘ื•ืจื•ื›ื•ื‘ ื”ืงืœื˜ื”: ืฉืœื•ืžื™ ื’ื•ื•ื™ืœื™, ืื•ืœืคื ื™ ื”ืขื•ื’ืŸ ืžืืกื˜ืจื™ื ื’: ื’ื•ืœื“ืŸ ืžืืกื˜ืจื™ื ื’ ื”ืคืงื” ืžื•ื–ื™ืงืœื™ืช: ืื‘ื™ื‘ ื‘ื›ืจ ื”ืคืงื”: ื˜ืœื™ื” ื’ .ืกื•ืœืืŸ ื”ื ื—ื™ื™ืช ื”ื’ื™ื™ื” ืขืจื‘ื™ืช: ื“ืดืจ ืจืื•ื•ื™ื” ื‘ื•ืจื‘ืืจื” ืžื’ื™ืœืช ืฉึดืื™ืจ ื”ึทืฉึดึผืื™ืจึดื™ื ื”ืจืืฉื•ื ื” ื‘ืงื•ื‘ืฅ ื—ืžืฉ ืžื’ื™ืœื•ืช ืฉื‘"ื›ืชื•ื‘ื™ื" ื‘ืชื "ืš. ื–ื•ื”ื™ ืกื“ืจื” ืฉืœ ืฉื™ืจื™ ืื”ื‘ื” ื‘ื™ืŸ ื‘ื ื™ ื–ื•ื’, ื’ื‘ืจ ื•ืื™ืฉื”, ื”ืคื•ื ื™ื ื–ื” ืืœ ื–ื•. ื‘ืžืกื•ืจืช ื—ื–"ืœ ื ืชืคืจืฉื• ืฉื™ืจื™ื ืืœื” ื‘ืื•ืคืŸ ืืœื’ื•ืจื™, ื›ืžืฉืœ ืœื™ื—ืกื™ ืขื ื™ืฉืจืืœ ื•ืืœื•ื”ื™ื•. ื‘ืžืกื•ืจืช ื”ื ื•ืฆืจื™ืช ืžื•ืคื™ืข ืคื™ืจื•ืฉ ืืœื’ื•ืจื™ ื“ื•ืžื”, ื”ืจื•ืื” ื‘ืžื’ื™ืœื” ื“ื™ืžื•ื™ ืœื™ื—ืกื™ ื™ืฉื• ื•ื”ื›ื ืกื™ื™ื” ื”ื ื•ืฆืจื™ืช. ืžื’ื™ืœืช ืฉื™ืจ ื”ืฉื™ืจื™ื ื”ืฉืคื™ืขื” ืจื‘ื•ืช ืขืœ ื”ืฉื™ืจื” ื”ืขื‘ืจื™ืช ื•ืขืœ ื”ืกืคืจื•ืช ื”ืขื•ืœืžื™ืช. Song of songs. The song of Solomon. fifth or fourth century comprises a collection of profane love songs and epithalamia. Song of songs - Many waters cannot quench love ู†ูŽุดููŠุฏู ุงู„ุฃูŽู†ูŽุงุดููŠุฏู - ู…ููŠูŽุงู‡ูŒ ูƒูŽุซููŠุฑูŽุฉูŒ ู„ุงูŽ ุชูŽุณู’ุชูŽุทููŠุนู ุฃูŽู†ู’ ุชูุทู’ููุฆูŽ ุงู„ู’ู…ูŽุญูŽุจู‘ูŽุฉูŽ ๐—•๐—”๐—–๐—ž๐—š๐—ฅ๐—ข๐—จ๐—ก๐—— The Song of Songs also Song of Solomon is one of the megillot (scrolls) found in the last section of the Tanakh, known as the Ketuvim. it celebrates passionate love, giving "the voices of two lovers, praising each other, yearning for each other, proffering invitations to enjoy . The two are in harmony, each desiring the other and rejoicing in sensual intimacy; The Song of Songs has a long history of being read as a religious text, but โ€œsecularโ€ readings of the work (or, more precisely, interpretations that do not assume the text is a religious allegory) are also possible, and in recent decades have become common. ๐—ช๐—›๐—˜๐—ก ๐—œ๐—ฆ ๐—–๐—จ๐—ฆ๐—ง๐—ข๐— ๐—”๐—ฅ๐—ฌ ๐—ง๐—ข ๐—ฆ๐—œ๐—ก๐—š ๐—ง๐—›๐—˜ ๐—–๐—›๐—”๐—ก๐—ง? In modern Judaism the Song is read on the Sabbath during the Passover, which marks the beginning of the grain-harvest as well as commemorating the Exodus from Egypt. Jewish tradition reads it as an allegory of the relationship between God and Israel, Christianity as an allegory of Christ and his bride, the Church. ๐— ๐—˜๐—”๐—ก๐—œ๐—ก๐—š The Song of Songs is a highly sensual book within the body of sacred Scripture, a love song to an unknown lover, rich with enigmatic, evocative images that tease the senses even as they confound them. It is a slippery text that resists all simple readings, and even as it weaves together phrases that resonate with other biblical passages it stands apart from them. This loveliest, most enigmatic poem of the Hebrew Bible inspired later poets. mainly of the great medieval Andalusian poets: Solomon ibn Gabirol, Abraham ibn Ezra, and Judah Halevi among them. a question that might rise: Is it a religious work, or a secular text, or were such distinctions meaningless in the world of antiquity? In recent decades the question of the Songโ€™s sacred or profane nature has been hotly debate. The second-century Jewish sage, Rabbi Akiva, described the Song of Songs as the holiest of scriptures, saying that โ€œall the scriptures are holy but the Song of Song is the holy of holiesโ€ ๐—ฃ๐—˜๐—ฅ๐—™๐—ข๐—ฅ๐— ๐—”๐—ก๐—–๐—˜ The Hebrew language is the original language in which the scroll of the Song of Songs was written. The idea to combine Arabic came from the desire to create a connection and relation between the two cultures - the Arab culture and the Hebrew culture with the reference to this thousands years old love poem. The connection between Hebrew and Arabic is not only a connection between two very similar Semitic languages, but also a connection between the countries of origin of the Jews who lived in Arab countries and their descendants who were born here and grew up in Israel.Dynamics of geographic culture expressed through language.

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