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The Problem with Cosplay Contests

Cosplay contests have a problem. This video might be the ramble of all time but it’s full of thoughts and research just for us long term competitors, so pull out your projects and buckle in because it does all come together in the end! Watch my last video, where I OVERANALYZE COSPLAY CRAFTSMANSHIP CONTESTS:    • Do You Have WHAT IT TAKES TO WIN a Co...   Also, EMAIL YOUR CONTEST COORDINATORS!! Hello,  I am writing to make an accessibility request for this year’s masquerade. I would love to see captions for performance A/V files made a requirement this year. If this were made a rule, it wouldn’t even have to be any extra work on staff’s end, rather it would be the competitors’ responsibility to utilize their A/V editing software, and it would be a huge benefit to anyone with hearing-related disabilities. Live captioning would also be an amazing addition to this event (and the whole convention)! Thank you for your consideration, A local masquerade fan •••••••••••••••••••••••••••••••••••••••• CHAPTERS 0:00 Introduction 1:39 A Brief(er) Look (than my last video) at How Cosplay Contests Work 3:50 Monopolies Suck and Related Thought Experiment 9:10 So, the Wild Cosplay Contest West Might Have Some Downsides 15:47 Rules vs. Morals Disclaimer 17:00 New York Comic Con 2023 (The Justice for Competitor) 18:56 Cosplayers Should Unionize 23:43 A Difficult Conversation (The Abhorrent Competitor) 30:13 Where Do We Go from Here? — Contest Documentation 38:19 Where Do We Go from Here? — 28 Days of Black Cosplay 40:02 Where Do We Go from Here? — Captioning Contests 41:27 Where Do We Go from Here? — Reconciliation 44:03 Cosplay ≠ Consent 52:46 Closing Remarks •••••••••••••••••••••••••••••••••••••••• COPYRIGHTED CONTENT DISCLAIMER Unlike many if not all of my previous videos, this video essay makes use of some copyrighted works under the Fair Use legal doctrine. “Under the fair use doctrine of the U.S. copyright statute, it is permissible to use limited portions of a work including quotes, for purposes such as commentary, criticism, news reporting, and scholarly reports. There are no legal rules permitting the use of a specific number of words, a certain number of musical notes, or percentage of a work. Whether a particular use qualifies as fair use depends on all the circumstances.” — https://www.copyright.gov/help/faq/fa... This video essay would be defined as commentary and criticism, as it makes use of information about and related to past events within the niche hobby space of competitive cosplay, to support an original thesis. More Information about Fair Use: https://www.copyright.gov/fair-use/#:... CREDITS, SOURCES, AND ADDITIONAL INFORMATION ALL SOURCES PERTAINING TO RESEARCH AND WORKS USED UNDER THE FAIR USE ACT LISTED IN THIS GOOGLE DOC (because they cannot fit in the description): https://docs.google.com/document/d/1y... Quick Link to the Crown Crediting Project: https://docs.google.com/spreadsheets/... Quick Link to the Anime Boston Crediting Project: https://docs.google.com/spreadsheets/... Quick Link to the CONsent Crediting Project: https://docs.google.com/spreadsheets/... But remember most of the information you might be looking for is in that Google Doc! Awesome inky stinger transitions by Beard Boy Digital: https://www.etsy.com/shop/BeardBoyDig... Also awesome VHS Overlays by motionGFXoverlays: https://www.etsy.com/shop/motionGFXov... MUSIC INFORMATION “The Center Isn’t Holding,” “Tasty Waves,” “The Painted Night,” “Headlands,” “Highway Nocturne,” “Tamalpais,” “Meridian,” “On the Uppers,” “Bag Man from Yankton,” “Candy Apple Town,” “A Prairie Dog,” and “A Truly Dazzling Dream,” all by National Sweetheart Music Provided by the YouTube Audio Library. •••••••••••••••••••••••••••••••••••••••• FOLLOW ME AROUND THE INTERNET Community Discord:   / discord   Instagram:   / telekineticmaniac   TIkTok:   / telekineticmaniac   Gaming Twitch:   / telekineticnerd   •••••••••••••••••••••••••••••••••••••••• #cosplay #cosplaycontest #cosplaycompetition