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00:00 Introduction: “Does this matter?” 03:48 “We are singing as Catholics always have” 05:21 “An incontrovertible trail” 08:05 “Symbol Skepticism” 11:22 “Lithuanian example” 14:18 Semiology: “The heart of the matter” 17:05 Dom Eugène Cardine: “Jennie the Vanishing Elephant” 19:30 Digression on “music transmission” 27:34 Semiology: “A tendency revealed” 30:31 Daniel Saulnier's “melodic elevation” 31:47 Digression: “Medieval manuscripts” 37:40 Dom Pothier: “Paléographie musicale” 39:26 Semiology: “Bruno’s attempt” 41:00 Bruno’s errors 45:58 Preface of the “Vatican Edition” 48:51 Dom Mocquereau: “An understandable flaw” 51:24 Semiology: “Gregor & Taube” 53:02 Semiology: “Rough Recording” 57:45 “Semiology & Language” 1:00:49 Mocquereau & “Editio Vaticana” 1:03:13 “Gloria X” Mocquereau ADDS elongations 1:03:47 “Alleluia” Mocquereau DELETES “mora vocis” 1:05:02 German Vs. French: “Gloria IX” 1:06:57 German Vs. French: “Credo III” 1:08:15 LIVE COMPARISON: “Make up your own mind” 1:14:52 Dom Pothier weighs in: “grave alteration” 1:16:14 Dom Mocquereau destroys “Kyrie V” 1:17:37 Conclusion: “Bravery is required” “Gregorian Semiology” • Does It Make Sense? This lecture was given by Jeff Ostrowski at Sacred Music Symposium 2022. A different perspective on Gregorian rhythm was given the following night by Professor Charles Weaver (of Julliard). - - - - - - - - - - - - - - - - - - - - - - - - A talk by Jeff Ostrowski at the Sacred Music Symposium « Sacred Music Symposium 2022 » This talk was the first in a pair of dueling lectures advocating for the use of different methods of plainchant rhythm. The following night’s talk, by Charles Weaver, was given in support of Dom Mocquereau’s rhythmic theory. 51189