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A man is tormented by a Sleep Paralysis Demon who is obsessed with Michael Jackson. _______________________ CREDITS Gavin Brewster as the voice of Sleep Paralysis Demon. Music by Michael Jackson. Silicone Masks provided by Composite Effects, LLC. I played myself and the physical appearances of the Demon _______________________ / brendancescon / brendancescon _______________________ GEAR/PROGRAMS USED: Blackmagic Pocket Cinema Camera 4K Sigma 18-35mm f/1.8 Art Lens Sigma 50-100mm f/1.8 Art Lens Zoom F2-BT Lavalier Recorder Zoom H8 12-Track Portable Recorder Sennheiser MKE 600 Shotgun Microphone Adobe Premiere Pro Adobe After Effects Da Vinci Resolve Studio 18 Ableton Live _______________________ NOTES ON THE PROJECT: This short film was an experiment to see how much I could accomplish on my own. The only outside help I got was from the voiceover artist, Gavin; from Composite Effects (AKA CFX masks) who supplied the demon mask (a pale version of their "Dracul" character); and from a couple friends who gave notes on the script and edit. A lot of post-production work was done to paint out distracting objects in the frame (light switches, outlets, etc...), as well as to clean up the eye sockets of the Demon. Occasionally the seam of the mask was obvious and my flesh was visible underneath, and I knew people would be looking for imperfections in the mask, so I digitally cleaned those up to help sell it. A lot of color grading work was also done to get a clean, shadowy look. Dozens and dozens of power windows. Also, all camera moves were done in post since I filmed everything by myself. The trick to pulling this off in a believable way, I found, was not only to keyframe movement with ease in and ease out keyframes, but to add a BASIC 3D effect that worked in tandem, applying a subtle tilt or swivel to the image so the perspective actually changes with the camera move, as it would in real life. This helps sell the illusion that the camera is moving in 3D space, when in reality I'm just moving a 2D image. This is definitely one of those fun little projects that has a lot more post-production work done than anyone will ever realize, but I get a lot of joy out of invisible digital manipulation. Thanks for watching.