Frédéric Chopin - 3 Nouvelles études, Op.posth. (Cortot) скачать в хорошем качестве

Frédéric Chopin - 3 Nouvelles études, Op.posth. (Cortot)

Frédéric Chopin (1810 - 1849) ――――――――――――――― 3 Nouvelles études, Op.posth. (1839) ――――――――――――――― Alfred Cortot (1877- 1962) Recorded in 1947/49 ――――――――――――――――――――――――― Frédéric Chopin wrote his 3 nouvelles études for piano in 1839, as a contribution to "Méthode des méthodes de piano", a piano instruction book by Ignaz Moscheles and François-Joseph Fétis. They are often erroneously described as posthumous. ――――――――――――――――――――――――― These études are less technical than the composer's Op. 10 and 25 and retain Chopin's original formula for harmonic and structural balance. ――――――――――――――――――――――――― 1.Andantino in F minor (0:00 / 5:54) The 1st of 3 Nouvelles études takes the form of a poignant piece in F minor. It serves as an opportunity for students to enhance their proficiency in 3 on 4 polyrhythms. The right hand follows a rhythm of three beats, while the left hand maintains a rhythm of four beats. Among the set, this piece exudes a particularly melancholic tone. ――――――――――――――――――――――――― 2.Allegreto in Db Major (1:43 / 6:45) The 2nd etude, composed in Db major, stands out as the most technically demanding piece in the set. Its primary objective is to explore articulation, where staccato and legato techniques are juxtaposed within a single hand (specifically the 1-2 and 4-5 fingers), as well as between hands. Pianists with smaller hands may encounter some difficulty in achieving the necessary stretches between the alto and soprano lines. Among the collection, this particular piece radiates a brilliant and vibrant ambiance. ――――――――――――――――――――――――― 3.Allegreto in Ab Major (3:17 / 8:25) In the 3rd, composed in Ab major, a captivating melody graces the surface, accompanied by a sequence of chords in the right hand and a simple bass line in the left hand. This piece serves as an exercise in mastering 2 on 3 polyrhythms. The middle section showcases a beautiful duet, followed by a gradual and melodious progression, leading to a climactic culmination. ――――――――――――――――――――――――― It is said that Debussy himself claimed to have 'worn his fingers down' while playing the 3rd etude. Additionally, there is a rumor that Liszt heard this very composition shortly before his passing.