Giovanni Battista Bassani (1650-1716) - Messa per li defonti concertata (1698) скачать в хорошем качестве

Giovanni Battista Bassani (1650-1716) - Messa per li defonti concertata (1698)

★ Follow music ►   / reciclassicat   Composer: Giovanni Battista Bassani (1650-1716) Work: Messa per li defonti concertata (1698) Performers: Capella Musicale della Basіlіca di Santa Maria Mаggіore in Bеrgamo; Crіstіan Gеntіlіnі (conductor) Messa per li defonti concertata (1698) 1. Requiem 0:00 2. Kyrie 2:43 3. Dies Irae 6:07 4. Domine Jesu Christe 14:30 5. Sanctus 17:48 6. Agnus Dei 19:02 7. Lux Aeterna 20:49 8. Libera me Domine 22:38 Painting: Alessandro Magnasco (1667-1749) - A Monk’s Burial HD image: https://flic.kr/p/2nQbZAa Further info: https://imslp.org/wiki/Category:Bassa... Listen free: No available --- Giovanni Battista Bassani (Padua, c.1650 - Bergamo, 1 October 1716) Italian composer, violinist and organist. It is thought that he studied in Venice under Daniele Castrovillari and in Ferrara under Giovanni Legrenzi. Charles Burney and John Hawkins claimed he taught Arcangelo Corelli, but there is no solid evidence for this assertion. He was an organist at the Accademia della Morte in Ferrara from 1667, but had probably left by 1675. He published his first music in 1677; the title page calls him maestro of music at the Confraternità della Morte in Finale Emilia, not far from Modena. He was maestro di cappella at Duke Alessandro II della Mirandola's court in 1680, and was elected principe at the Accademica Filarmonica in Bologna. He became maestro di cappella at the Accademia della Morte in Ferrara in 1683, and then maestro di cappella at Ferrara Cathedral in 1686. For his contributions to the musical life of Ferrara, he was often called "Bassani of Ferrara". He wrote 76 liturgically ordered services for use at Ferrara Cathedral between 1710 and 1712. He became director of music at Santa Maria Maggiore in Bergamo in 1712, and also taught at the Congregazione di Carità in the same city until his death. He was a celebrated violinist in his own time, and his fame was compounded by Burney's praise for him. His trio sonatas are his best-known and most often performed pieces in modern times. He wrote 13 oratorios, but only four survive, and all 13 of his operas have been lost aside from a few arias from Gli amori alla moda.