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The good morrow by John Donne. John Donne’s "The Good-Morrow" acts as a definitive "Ontological Reset," marking the precise moment two souls undergo a "Metamorphic Pivot" from a state of unconscious "snorting" to a vivid, spiritual awakening. Donne dismisses the lovers’ previous lives as a "Brittle Illusion" of childish pleasures, suggesting that any beauty encountered before this union was merely a "Faded Currency" or a "fancy" of the beloved. By declaring, "And makes one little room an everywhere," he establishes a radical "Sovereignty of the Interior," where the domestic space is transfigured into a "Luminous Now" that renders the "gaudy" voyages of sea-discoverers and the "maps" of new worlds entirely obsolete. The poem functions as a "Mapping of the Marrow," where the geography of the heart replaces the "Chronic Drift" of global exploration. In the second and third stanzas, Donne explores the "Marriage of Essences" between the two lovers, proposing that their shared gaze creates a "Fixed Point" of such perfect equilibrium that it transcends the laws of physical decay. He utilizes an alchemical "Visceral Verity" to conclude that their love is a "Luminous Constant"; by arguing that "whatever dies was not mixed equally," he asserts that their union has achieved a state of "Unshaken" immortality. Ultimately, "The Good-Morrow" is the "Final Signature" of metaphysical romance, teaching us that the most profound "Voyage" is not found in the "limitless" oceans, but in the "Still Point" of a single, shared reality.