ToneX - The Best Method for High-Gain Captures скачать в хорошем качестве

ToneX - The Best Method for High-Gain Captures

DOWNLOAD THESE CAPTURES FOR FREE! Captures EVH 5150iii 50w - Red Channel EVH 5150iii 50w - Blue Channel ENGL Fireball 60w - Ultra Gain Marshall JVM410H - OD1 Orange Marshall JVM410H - OD1 Red ToneX Captures https://www.tone.net/tonex/tonemodels... https://www.tone.net/tonex/tonemodels... https://www.tone.net/tonex/tonemodels... https://www.tone.net/tonex/tonemodels... https://www.tone.net/tonex/tonemodels... NAM Captures https://tonehunt.org/AmpsPedalsPickup... MY CAPTURE METHOD 1) My ReAmp setup is calibrated to +13dBu (This may or may not be needed, I'm just quoting mine in case you want to know) 2) The RETURN level from your loadbox or mic capturing the Tone, keep this just under clipping. In the DAW I ReAmp the NAM file through the Amp -- Loadbox -- Interface. That level I make it as hot as possible without clipping. You don't NEED the NAM file to set your levels, just ReAmp a super loud guitar part like chugging or hard chords and that should give you a really hot level coming back. You just want to make sure the RETURN level is just under clipping. 3) Inside of ToneX I always choose "AMP" for capturing. 4) I would highly reccomend NOT capturing a boosted tone. ANY pedal hitting the amp seems to have a "more negative" effect. I always seem to get the highest quality captures doing AMP ONLY. If you absolutely must do a capture with a boost pedal, I'd still use the "AMP ONLY" option in ToneX, it comes out better for me. 5) Extreme Gain has a negative effect on captures. If the Gain on your amp is set to 7 and it sounds basically the same on 5, take it to 5. You can dial in the gain to taste, but scrape off any "excess gain" will help 6) Extreme High End (Treble/Presence) also has a negative effect on captures. If you can roll back the treble or presence (mainly presence) it will help get a higher quality capture. Scrape off any "excess high end" is how I'd look at it. 7) Kind of obvious, always do ADVANCED captures in ToneX... I know it sucks, grab a coffee, play Rocket League... you'll thank yourself later I ONLY do Amp Only captures in ToneX now. If I wanted to boost them up then the good thing is they have the capacity to be boosted properly In the DAW I can run a second instance of ToneX with a boost pedal, or I can run Amplitube5 and hit it with a tubescreamer, both work great. If I was using a ToneX One or Full ToneX Pedal on a Pedalboard, I would hit it with a tubescreamer or boost for best results. Join the AmpsPedalsPickups DISCORD Server -   / discord   Email Questions - amps.pedals.pickups@gmail.com TIMESTAMPS 00:00 - Overview 01:45 - First Listen 02:30 - Amp / ToneX / NAM 07:15 - Capture Process 13:31 - JVM Capture Too Hot 14:49 - Final Thoughts GEAR USED IK Multimedia ToneX Bogren Digital AmpKnob Fender ToneMaster Pro (TMP) SOLAR 1.6A Vinter Gibson Les Paul Custom Bareknuckle Blackhawk GGD Cali IR GGD Goldstacks IR Meta Quest 3 / Paraddidle Balaguer Woodsman BB Lightbringer Gibson SG 61 Reissue LTD EC-1000 Fishman Fluence Moderns Evertune RedSeven AmpCentral LoadBox EVH 5150 iii 50w STL Amphub EBS Patch Cables RME UCX II Interface Creation Audio Labs MW1 DI/Reamp Samson Patchbay Shure SM7B Rode Wireless Go Rode VideoNTG TC Electronic Sentry Noise Gate Pedal If you have any gear or software demos you want me to take a look at just comment or email and I can chuck it on my list. Thanks for watching! Nathan