Felix Mendelssohn - ( Kyrie ) in D Minor - MWV A 3 - ( 1823 ) - Composed at 14 years old скачать в хорошем качестве

Felix Mendelssohn - ( Kyrie ) in D Minor - MWV A 3 - ( 1823 ) - Composed at 14 years old

Felix Mendelssohn’s Kyrie in D Minor, MWV A 3 is a sacred choral work composed in 1823, another remarkable example of his youthful genius, written when he was just 14 years old. Like the Gloria in E-flat Major you previously asked about, this piece reflects Mendelssohn’s early mastery of choral writing, his deep engagement with sacred music traditions, and his study of composers like Bach, Mozart, and Haydn. It’s a setting of the "Kyrie eleison" text from the Latin Mass, scored for chorus and orchestra, and it carries the catalog number MWV A 3 in the Mendelssohn-Werke-Verzeichnis, as it was not published during his lifetime and thus lacks an opus number. Full Name and Details Title: Kyrie in D Minor (often listed as Kyrie for Chorus and Orchestra in D Minor or simply Kyrie, MWV A 3). Catalog: MWV A 3, indicating its place among Mendelssohn’s sacred vocal works, unpublished during his lifetime. Scoring: Written for mixed chorus (SATB), with orchestral accompaniment including strings, woodwinds (flutes, oboes, clarinets, bassoons), brass (horns, trumpets), timpani, and possibly organ, depending on the edition or performance practice. Text: Latin, from the Ordinary of the Mass: "Kyrie eleison" (Lord, have mercy) "Christe eleison" (Christ, have mercy) "Kyrie eleison" (Lord, have mercy) Duration: Approximately 8–12 minutes, depending on tempo and interpretation. Structure: The work follows the traditional tripartite structure of the Kyrie text: Kyrie eleison – A solemn, weighty opening in D minor, often with rich choral harmonies and orchestral support, conveying a plea for mercy. Christe eleison – Typically contrasting, perhaps lighter or more lyrical, sometimes shifting to a related key (e.g., F major or B-flat major) for a sense of hope or supplication. Kyrie eleison – A return to the initial material or a varied reprise, often intensifying toward a powerful close. Historical Context Composition: Composed in 1823, likely in Berlin, where Mendelssohn was studying under Carl Friedrich Zelter and participating in the Sing-Akademie. This was a prolific period for the young composer, who was also working on early symphonies, chamber music, and other sacred pieces like the Gloria in E-flat Major (MWV D 4). Purpose: The Kyrie was probably written as a compositional exercise or for performance within the Sing-Akademie, not for liturgical use in a Catholic Mass. Mendelssohn, raised in a Protestant family with Jewish roots, often explored sacred music as a way to engage with historical forms and counterpoint. Rediscovery: Like many of Mendelssohn’s early sacred works, the Kyrie remained unpublished during his lifetime and was rediscovered later, with modern editions and performances bringing it to light in the 20th century. Musical Characteristics Style: The Kyrie in D Minor blends Baroque and Classical influences with early Romantic expressiveness. The D minor key gives it a somber, urgent tone, fitting the text’s plea for mercy. Key Features: Choral Writing: Dense, contrapuntal textures, with the chorus carrying much of the emotional weight. Mendelssohn balances homophonic and polyphonic sections, showing his study of Bach’s masses. Orchestration: The orchestra supports the chorus with dramatic flourishes, particularly in the strings and brass, while woodwinds add color. The timpani may underscore moments of intensity. Mood: The opening Kyrie is grave and imploring, the Christe often provides a lyrical contrast, and the final Kyrie builds to a resolute or fervent conclusion. Influences: Echoes of Bach’s Mass in B Minor and Mozart’s Requiem are evident, filtered through Mendelssohn’s clear, melodic sensibility. Technical Skill: Even at 14, Mendelssohn demonstrates sophisticated handling of harmony, modulation, and choral-orchestral interplay, foreshadowing his later masterpieces like Elijah. Performance and Availability Recordings: The Kyrie in D Minor, MWV A 3 is less commonly recorded than Mendelssohn’s major works but appears in collections of his sacred music. Look for: Ensembles like the Kammerchor Stuttgart, RIAS Kammerchor, or the Choir of Trinity College, Cambridge, often led by conductors like Hans-Christoph Rademann or Richard Marlow. Labels such as Carus, Hyperion, or Naxos, which specialize in Mendelssohn’s choral output. Streaming platforms like Spotify, YouTube, or Presto Music may have it, though you might need to search under "Mendelssohn Kyrie MWV A 3" or check albums with his early sacred works. Sheet Music: Available from publishers like Carus-Verlag, which offers modern editions of Mendelssohn’s unpublished sacred music, or via libraries like IMSLP (if public domain). Full scores, vocal scores, and orchestral parts exist for choirs and conductors. Performances: The Kyrie is rarely performed compared to Elijah or St. Paul, but it’s programmed by choirs tackling Mendelssohn’s lesser-kn