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Donna Ferrato is an internationally acclaimed photojournalist known for her groundbreaking documentation of the hidden world of domestic violence. Her seminal book Living With the Enemy (Aperture, 1991) went into four printings and, alongside exhibitions and lectures across the globe, sparked a national discussion on sexual violence and women’s rights. In 2014, Ferrato launched the I Am Unbeatable campaign to expose, document, and prevent domestic violence against women and children through real stories of real people. Ferrato has contributed to almost every major news publication in the country, and her photographs have appeared in nearly five hundred solo exhibitions in museums and galleries worldwide. She has been a member of the Executive Board of Directors for the W. Eugene Smith Fund and was president and founder of the non-profit Domestic Abuse Awareness Project (501-c3). She has been a recipient of the W. Eugene Smith Grant, the Robert F. Kennedy Award for Outstanding Coverage of the Plight of the Disadvantaged, the IWMF Courage in Journalism Award, the Missouri Medal of Honor for Distinguished Service in Journalism, Artist of the Year at the Tribeca Film Festival, and the Look3 Insightful Artist of the Year. In 2008, the City of New York proclaimed October 30 “Donna Ferrato Appreciation Day,” and in 2009, she was honored by the judges of the New York State Supreme Court for her work advancing gender equality. In 2020, Ferrato was chosen as one of the Hundred Heroines by the British Arts foundation, Hundred Heroines. Her new book, Holy, published in 2020 by powerHouse Books, is a call to action. It proclaims the sacredness of women’s rights and their power to be masters of their own destiny. Laura Pannack is a London-based, award-winning photographer. Renowned for her recognizable portraiture and social documentary artwork, she often seeks to explore the complex relationship between subject and photographer. Her work heavily focuses on the youth. She was educated at the University of Brighton, Central Saint Martins College of Art and LCP. Pannack’s work has been extensively exhibited throughout the UK and abroad, including at The National Portrait Gallery, Somerset House, the Royal Festival Hall and the Houses of Parliament. Driven by research-led, self-initiated projects, Pannack seeks to fully understand the lives of those she captures on film in order to portray them as truthfully as possible. Perceiving “time, trust and understanding” to be the key elements to achieving this, many of her projects develop over several years, helping her achieve a genuine connection between herself and her sitter and allowing her to capture the intimacy, shared ideas and shared experiences of this relationship. Pannack chooses to shoot with analogue film on her personal projects. By using traditional methods of working from negatives, as well as shooting with Polaroid, she finds beauty in the mistakes that come from working with unpredictable material. Her artwork has received much acclaim and won numerous awards, among which are the John Kobal Award, Vic Odden prize, World Photo Press Awards and the HSBC Prix de la Photographie prize. In addition to her own practice, Pannack lectures, critiques and teaches at universities, workshops and festivals around the world, and in 2015, judged the portrait category in World Photo Press Awards in Amsterdam. Pannack has also been widely published, both commercially and as a photographic artist, with work appearing in The British Journal of Photography, Hotshoe International, TIME, The Guardian Weekend, The Telegraph, The Sunday Times, Creative Review. Her monograph ‘Against the dying of the light’ was published by Acts de Suds in 2016 and YOUTH Vol 1 was released in 2018 by Polite company Kerstin Hacker is co-course leader of the BA (hons) Photography at the Cambridge School of Art, Anglia Ruskin University. Hacker's research interest lies in the diversification of the 'visual library'.