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Jess Sah Bi & Peter One — Katin (Musique Ivoirienne) скачать в хорошем качестве

Jess Sah Bi & Peter One — Katin (Musique Ivoirienne) 7 лет назад

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Jess Sah Bi & Peter One — Katin (Musique Ivoirienne)
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Jess Sah Bi & Peter One — Katin (Musique Ivoirienne)

Subscribe for more https://tinyurl.com/ATFAYouTube Buy or Stream album https://lnk.to/JessSahBiAndPeterOne "Katin" lyrics in Gouro & English translation below: (Gouro) Katin Héo Kalé zonaman kabêdjê oh Katin Héo Kalé zonaman kabêdjê oh Katin Héo Kalé zonaman kabêdjê oh Zile kaweman zibo deka hi Djinanan wi teka le zinh le Zile kaweman zibo deka hi Djinanan wi teka le zinh le Tibé guessan omer, ylé zonanbo Bedjê olê y mih tôh. Houan oh Tibe guessan, sah bidjê yé Ouya bi koh kale fehi lé Han bouêh ouya bitra ylé glibo Bédjê ole y mih, toh houan oh Yeah aho … Yé boah bouinou yeah Katin Héo Kalé zonaman kabêdjê oh Katin Héo Kalé zonaman kabêdjê oh Yé boah bouinou yéah Katin Héo Kalé zonaman kabêdjê oh Yé boah bouinou yéah ah zouletchi Zile kawêman zibo deka hi Djinanan wi teka lé zinh lé Tibe guessan Omer ylé zonanbo Bédjé olê y mih toh houan oh Tibe guessan, sah bidjê éé Bédjé olê y mih toh houan oh Tibe guessan, sah bidjê éé Ouya bi koh kalé fehilé Tibe guessan han bouêh zekoua oh Dôghô lé ko kale fehi ya dou Han bouêh ouya bi tra ylé Glilé Bédjê olê y mih toh houan oh Han Bouêh ouyabi oah … ylé zonanbo Bedjê olé y mih toh houan yéah aoh Ye boah bouinou yé kagohan oh Ye boah bouinou ye kouassi yé (English) All together to achieve our goal Let's rejoice Oh yes my brothers, it is so We are looking for a way When we get it It will be joy It will be our happiness Tibe guessan omer Show everyone your goal To honor us Tibe guessan omer Tell everyone your word To honor us Tibe guessan, sah bi dje he Ouya bi, let's see, here is our art Tibe guessan, my friend zekoua Dohguo, we have the same art Tibe guessan, my friend zekoua Dohguo, we have the same art My friend ouya bi tra, Say your word to all To honor us My friend ouya Show everyone your goal To honor us In the 1980s, Abidjan’s Jess Sah Bi & Peter One became one of the most popular musical acts in not just the Ivory Coast (Côte d'Ivoire), but broader West Africa, eventually performing with a full band to stadium-sized audiences at home and throughout Benin, Burkina Faso and Togo. Although they’d been popular radio and television performers for several years prior, the catalyst for Jess and Peter achieving this new level of stardom was their debut album, Our Garden Needs Its Flowers, recorded and released in 1985. In contrast with the heaving funk, disco and reggae sounds of the day, Our Garden Needs Its Flowers was a lush fusion of traditional Ivorian village songs and American and English country and folk-rock music. Jess and Peter sang in French, English and Gouro, delivering beautifully harmonized meditations on social injustice and inequality, calls for unity across the African continent, an end to apartheid in South Africa and the odd song for the ladies, all set against lush guitar riffs, rustic harmonica and rollicking feel-good rhythms. Surprisingly, it’s the first time the album has been re-released in a high-fidelity, legally-licensed form. Jess and Peter had shared experiences of loving and drawing inspiration from the traditional and ceremonial songs they remembered their mothers singing in their respective hometowns of Barata and Ono. In addition, hearing imported country and folk-rock music over the radio in the early ‘70s was a lightbulb moment for both of them. Jess recalls DJs playing Kenny Rogers, Don Williams and Dolly Parton on the radio in the morning, while Peter notes the significant presence Simon & Garfunkel, Cat Stevens, Crosby, Stills & Nash and Creedence Clearwater Revival had in his listening life. Country music and folk-rock weren’t very popular with the general public. But interest was bubbling up within the growing student population, who connected with the protest sentiments expressed by many English and American artists of the era and loved the sound as well. “It’s very nice music, with very nice harmonies, and it’s different from what you hear every day,” Peter says. “The language was a big barrier though. You had to learn English to understand the songs, and the students were the ones learning English.” Having access to education along with their awareness of growing social and political inequality and injustice made students the perfect audience for folk music in Ivory Coast.

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