袪褍褋褋泻懈械 胁懈写械芯

小械泄褔邪褋 胁 褌褉械薪写械

袠薪芯褋褌褉邪薪薪褘械 胁懈写械芯


小泻邪褔邪褌褜 褋 褞褌褍斜 诪讚讜注 I 砖诇诪讛 讬讛讜讚讛 专讻谞讬抓 讜讞讘专讬诐 Madua I Shlomo Yehuda Rechnitz & Chaverim 胁 褏芯褉芯褕械屑 泻邪褔械褋褌胁械

诪讚讜注 I 砖诇诪讛 讬讛讜讚讛 专讻谞讬抓 讜讞讘专讬诐 Madua I Shlomo Yehuda Rechnitz & Chaverim 9 谢械褌 薪邪蟹邪写


袝褋谢懈 泻薪芯锌泻懈 褋泻邪褔懈胁邪薪懈褟 薪械 蟹邪谐褉褍蟹懈谢懈褋褜 袧袗袞袦袠孝袝 袟袛袝小鞋 懈谢懈 芯斜薪芯胁懈褌械 褋褌褉邪薪懈褑褍
袝褋谢懈 胁芯蟹薪懈泻邪褞褌 锌褉芯斜谢械屑褘 褋芯 褋泻邪褔懈胁邪薪懈械屑, 锌芯卸邪谢褍泄褋褌邪 薪邪锌懈褕懈褌械 胁 锌芯写写械褉卸泻褍 锌芯 邪写褉械褋褍 胁薪懈蟹褍 褋褌褉邪薪懈褑褘.
小锌邪褋懈斜芯 蟹邪 懈褋锌芯谢褜蟹芯胁邪薪懈械 褋械褉胁懈褋邪 ClipSaver.ru



诪讚讜注 I 砖诇诪讛 讬讛讜讚讛 专讻谞讬抓 讜讞讘专讬诐 Madua I Shlomo Yehuda Rechnitz & Chaverim

讗转 讛砖讬专 '诪讚讜注' 讛诇讞讬谉 专' 砖诇诪讛 讬讛讜讚讛 专讻谞讬抓 讘注拽讘讜转 讛讗住讜谉 讛拽砖讛 砖驻拽讚 讗转 诪砖驻讞转 砖砖讜谉 讜讛转拽讜驻讛 讛拽砖讛 砖注讜讘专 注诐 讬砖专讗诇. 诪讬诇讜转 讛砖讬专 讛诐 驻住讜拽 讘住驻专 讬专诪讬讛讜 砖诐 诪爪讜讟讟 讛谞讘讬讗 讻驻讜谞讛 讘砖讗诇讛 诇拽讘"讛 讜讗讜诪专 "诪讚讜注 讚专讱 专砖注讬诐 爪诇讞讛? 讜拽讜讘诇, 讻讘讬讻讜诇, 注诇 讛拽砖讬讬诐 讜讛爪专讜转 砖注讜讘专 注诐 讬砖专讗诇 诇注讜诪转 讛专讜讜讞讛 讜讛砖驻注 讛诪讛讜讜讬诐 讗转 诪谞转 讞诇拽诐 砖诇 砖讜谞讗讬 讛注诐 讛讬讛讜讚讬. 诇爪讜专讱 讛驻专讜讬拽讟 讛诪讬讜讞讚 拽讬讘抓 专讻谞讬抓 诪住驻专 讗诪谞讬诐 诪住讙谞讜谞讜转 诪讜住讬拽诇讬讬诐 砖讜谞讬诐, 讛讞诇 诪讗讜讛讚 诪讜砖拽讜讘讬抓, 讗讬爪讬拽 讚讚讬讛, 诪拽讛诇转 '砖讬专讛' 诪讗专讛"讘 讜讻诇讛 讘讬诇讚 讛驻诇讗 注讜讝讬讛 爪讚讜拽. 状讗谞讞谞讜 诇讗 诪讘讬谞讬诐 讞砖讘讜谞讜转 砖诪讬诐" 讗讜诪专 专讻谞讬抓, "讗讱 讻讜诇谞讜 讞讬讬讘讬诐 诇讛诪砖讬讱 诇讛讗诪讬谉 讜诇讘讟讜讞 讘拽讘"讛 砖讻诇 诪讛 砖谞注砖讛 讛讜讗 诇讟讜讘讛 . 讞讝"诇 讻讘专 诇讬诪讚讜谞讜 砖讘谞讬住谉 谞讙讗诇讜 讜讘谞讬住谉 注转讬讚讬谉 诇讛讬讙讗诇 讜谞讜转专 诇谞讜 专拽 诇讛转驻诇诇 砖讻诇 讗住讜谉 讬讬讛驻讱 诇讘专讻讛. 讻砖讗谞讬 砖讜诪注 注诇 讟专讙讚讬讜转 讻讗诇讜, 讗谞讬 诇讗 诪讜爪讗 诪讬诇讬诐 诇讘讟讗 讗转 注爪诪讬. 讛讚专讱 讛讟讜讘讛 讘讬讜转专 注讘讜专讬 诇驻专讜拽 讗转 讛专讙砖讜转 讛讬讗 讘讗诪爪注讜转 讛诪讜讝讬拽讛, 砖诐 讗谞讬 诪讜爪讗 讗转 诪拽讜诪讬." 注诇 讛注讬讘讜讚 讛诪讜住讬拽诇讬 讛讜驻拽讚讜 讛诪注讘讚讬诐 讗讬爪讬 讘专讬 讜讗诇讬 拽诇讬讬谉 砖讗祝 诪转讗专讞 讘砖讬专 诇拽讟注 砖讬专讛 拽爪专. 讗转 讛讛驻拽讛 讛诪讜专讻讘转 谞讬讛诇讜 讚讜讚 驻讚讬讚讛 讜讬讜住讬 专讜讘讬谉 讜讛转讜爪讗讛 讛住讜驻讬转 讛讬谞讛 砖讬专 诪专讙砖 讜诪讗讞讚 诇讘讘讜转 讛驻讜谞讛 诇讻诇 拽爪讜讜转 讛注诐 讜诪转讞讘专 诇讻诇 讙讜讜谞讬 讛拽砖转 讛讬讛讜讚讬转. 诇讞谉 讜讛驻拽讛 诪讜住讬拽讗诇讬转: 砖诇诪讛 讬讛讜讚讛 专讻谞讬抓 诪讬诇讬诐: 讬专诪讬讛讜 讬"讘 讗' 注讬讘讜讚讬诐: 讗诇讬 拽诇讬讬谉 讜讗讬爪讬 讘专讬 讛驻拽转 砖讬专讛: 讗讬爪讬拽 讚讚讬讛 转讜驻讬诐: 讗讘讬 讗讘讬讚谞讬 讘住: 讗讘讬 讬驻专讞 讙讬讟专讜转: 讗讘讬 住讬谞讙讜诇讚讛 住拽住讜驻讜谉: 讚讜专 讗住专祝 讻讬谞讜专讜转: 诇讛拽转 '讗谞住诪讘诇 讬专讜砖诇讬诐' 拽专谉 讬注专: 讜诇讚讬诪讬专 讙讜讟诪谉 驻住谞转专: 讗诇讬 拽诇讬讬谉 拽诇讬讚讬诐: 讗讬爪讬 讘专讬 讻诇讬 讛拽砖讛: 专驻讬 诪谞讞诐 诪讬拽住 讜诪讗住讟专讬谞讙: 讗诇讬 拽诇讬讬谉 讛讜拽诇讟 讘讗讜诇驻谞讬 FDD 住讟讜讚讬讜 2015 注专讻转 讜讬讚讗讜: 讛谞讬 讛专砖诇专 The song 'Madua' was composed by Rabbi Shlomo Yehuda Rechnitz following the terrible tragedy that struck the Sasson family and difficult period for 注诐 讬砖专讗诇. The lyrics are from a verse in 鈥樧欁ㄗ炞欁斪曗, which quotes the 谞讘讬讗 addressing a question of 讛' and saying 鈥澴炞撟曌 讚专讱 专砖注讬诐 爪诇讞讛?" And he complains, as it were, about the trials and tribulations that confront Israel, while wealth and abundance are the lot of those who hate the Jewish people. For this special project, Rechnitz gathered together a number of artists with different musical styles: Ohad Moskowitz, Itzik Dadya, the "Shira" choir from the USA and the child Uziah Tzadok. "We do not understand the ways of 讛'," says Rechnitz, "but we all have to continue to believe and trust in 讛' that everything that is done is for the best. 讞讝"诇 have taught us that in Nissan we were redeemed and in Nissan we will be redeemed in the future. All that is left for us to do is to pray that every disaster will be turned into a blessing. When I hear about tragedies like these, I cannot find words to express myself. The best way for me to vent my feelings is through music, that is where I can find my place." Musical arrangements are by Yitzy Barry and Eli Klein. The complex production was managed by David Fadida and Yossi Rubin. The final result is a moving song that unites hearts and reaches out to, and connects people from the entire Jewish spectrum.

Comments