Скачать с ютуб Ustad Bahauddin Dagar & Sukhad Munde | Raag Patdeep (Pt. 2) | Dhrupad | Music of India в хорошем качестве

Ustad Bahauddin Dagar & Sukhad Munde | Raag Patdeep (Pt. 2) | Dhrupad | Music of India

#darbarfestival | Bahauddin Dagar’s unamplified dhrupad performance of Patdeep, on the rudra veena. Though rare now, it is often described as the king of Indian classical instruments. ► Join our newsletter at http://www.darbar.org/newsletter for the finest in Indian classical music and dance, and watch full length exclusive concerts in pristine HD on the Darbar Player: http://www.darbar.org/darbarplayer If a few brief minutes of Bahauddin aren’t enough…watch his 70-minute duet performance of Raag Vardhani with Pelva Naik, in pristine HD on the Darbar Player, along with dozens of other captivating concerts: https://www.darbarplayer.com/videos/u... --------------------------------------------------------------------- Learn more about the music: Ustad Bahauddin Dagar is a torchbearer of the dagarvani dhrupad, known for its patient, meditative approach. He is the world’s leading master of the rudra veena (‘roaring veena’), still considered by many to be the king of Indian instruments. Though rare today, its even, austere tone remains linked with a certain universal purity, close to the essence of Indian classical. Some trace the Dagar family lineage back to master musicians of the 16th century, and Ustad Bahauddin studied under his father Ustad Zia Mohiuddin Dagar and his uncle Ustad Zia Fariduddin Dagar. He describes the relationship: “His method of teaching was subtle and mysterious...he would give a student a few key phrases that captured its soul. Then he would ask him to work on them till the spirit of the raga revealed itself. And, we did find that once we had mastered the key to a raga, the whole raga opened itself up effortlessly when we sat down to play.” Bahauddin’s musical style is marked by an unobtrusive eloquence, and he regularly performs with no amplification, harking back to a pre-technological age when musicians played longer and slower. But he also draws creative energy from dhrupad’s status as a living form - it may be India’s oldest surviving style of classical music, but many consider it to be the most highly evolved by virtue of this. He seeks to represent his tradition as a full person, with a reputation for high-quality teaching across the global veena community. Listen to more of Bahauddin here: -Patdeep (Pt 1) |    • Ustad Bahauddin Dagar | Raag Patdeep ...   -Vardhani (with Pelva Naik) |    • Masters of Dagarvani | Ustad Bahauddi...   Patdeep is an afternoon raga. It draws from Kafi thaat, with an aroha [ascent] of nSgmPNS and an avroh [descent] of SNDPmgRS. The vadi [king note] is Pa, and the shuddha Ni differentiates it from the similar Raag Bhimpalasi. It somewhat resembles the Carnatic Raga Gowrimanohari. Hear more superb performances of Patdeep here: -Omkar Dadarkar (khayal vocals) |    • Hori Khelat Bahar | Raag Patdeep | Om...   -Sahana Banerjee (sitar) |    • Magical Raag Patdeep | Sahana Banerje...   Performed for Darbar on 20 Sep 2013, at London’s Royal Festival Hall -Bahauddin Dagar (rudra veena) -Sukhad Munde (pakhawaj) -Seetal Gahir (tanpura) Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK. All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust