Ngày mùng một tháng Năm Japanese Symphony & Vocal Fusion Extended Play скачать в хорошем качестве

Ngày mùng một tháng Năm Japanese Symphony & Vocal Fusion Extended Play

🇯🇵 JAPANESE 音楽チャンネルをご視聴いただき、心より感謝いたします。 ぜひ 👍 高評価 • 🔔 チャンネル登録 • コメントで East Meet West を応援してください。 皆さまの音楽リクエストは、The Global Soul があなたの音楽と文化を学ぶ助けになります。 00:00 Ngày mùng một tháng Năm Japanese Symphony No.1 04:31 Ngày mùng một tháng Năm Japanese Symphony No.1 & Vocal Fusion 07:11 Ngày mùng một tháng Năm Japanese Symphony No.1 11:07 Ngày mùng một tháng Năm Japanese Symphony No.1 & Vocal Fusion This is the Step 2 (Pure Instrumental Concerto) version of the Japanese Symphony No. 1. To capture the "Wabi-sabi" aesthetic—balancing vast silence with sharp, percussive strikes—I have mapped the Koto, Shamisen, and Shakuhachi to Western counterparts. Using the Bracket-Cloaking method ensures the track is 100% instrumental, with the orchestra "singing" the Japanese melodic structure. Pure Instrumental, No Vocals, Instrumental Only, 75 BPM Slow Bolero 4/4, Western Chamber Orchestra, Harp and Pizzicato Strings (as Koto), Banjo and Mandolin (as Shamisen), Western Flute with breathy, overblown notes (as Shakuhachi), Oboe (as Hichiriki), Taiko Drums, Wooden Clappers(as Hyoshigi), Double Bass, Grand Piano, High Cathedral Reverb. Mapping Breakdown for Japanese Instruments: • Koto (Harp/Piano): Replicates the crystalline, plucked resonance of the long zither. • Shamisen (Banjo/Mandolin): The "plucky" and slightly metallic attack mimics the three-stringed lute. • Shakuhachi (Western Flute): Breath-heavy techniques mimic the meditative bamboo flute. • Hyoshigi (Woodblocks/Clappers): Signals the dramatic start and end of movements, typical of Kabuki theatre. This is the Step 3 (Vocal & Symphony Fusion) version of the Japanese Symphony No. 1. In this fusion, the brackets are removed to place the singer at the heart of the performance. The Style Box is tailored for a dramatic Japanese male vocal—evoking the powerful, chest-resonant delivery of Enka or high-end J-Dramaballads—while the orchestra maintains its "Shogun-era" cinematic atmosphere. Voice: Japanese male, powerful and soulful, Tone: thick, resonant, slightly husky, dramatic stage-style color, Technique: clear enunciation, long sustained notes, deep vibrato (Enka-style influence), Emotion: noble, theatrical, deeply expressive, No English vocals, 75 BPM Slow Bolero 4/4, Western Chamber Orchestra, Banjo and Mandolin (as Shamisen), Harp (as Koto), Western Flute (as Shakuhachi), Taiko Drums, Wooden Clappers, Double Bass, Grand Piano, High Cathedral Reverb. Why this works for Step 3: • Vocal Gravitas: Removing the brackets allows the singer to use the specific vowel lengthening and vibrato of Japanese stage-singing, giving it a high-stakes, cinematic feel. • Percussive Punctuation: The use of Hyoshigi (Wooden Clappers) and Taiko creates a sense of "Ma" (space) that is essential to Japanese music, even within a Western Bolero. • Thematic Consistency: It maintains the "Apple Tree" narrative but dresses it in the regal, tragic colors of Japanese history.