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In this video, we dive into the emotional, religious, and social world of late medieval Europe, specifically from the perspective of medieval women. From Johan Huizinga’s insights in The Waning of the Middle Ages to the mysticism of Margery Kempe, the poetry of Guillaume de Machaut, and the pioneering voice of Christine de Pizan, this video explores how medieval women thought about love, chivalry, piety, and morality—and why they’d probably find you annoying. Timestamps 00:00 – Intro: Why medieval women would dislike you 00:54 – Huizinga and the emotional world of the Middle Ages 01:20 – Catholic piety, processions, and medieval women’s devotion 02:07 – Joan of Arc, Margery Kempe, and religious intensity 02:51 – Love, unrequited passion, and Guillaume de Machaut 03:40 – Christine de Pizan and challenges to Roman de la Rose 04:45 – Chivalry as social performance: Lancelot, Guinevere & humiliation 06:30 – Did women actually want chivalry? Female critiques 07:29 – Common women, nobility, and the imitation of elites 08:18 – Medieval morality, confession, and Chaucer’s Troilus & Criseyde 10:48 – Ann of Burgundy and contradictions in piety 11:56 – Conclusion: Could you survive medieval expectations? Works Cited Christine de Pizan. The God of Love’s Letter and The Tale of the Rose: A Critical Edition and Translation of Christine de Pizan’s L’Epistre au Dieu d’Amours and Le Dit de la Rose. Edited and translated by Thelma S. Fenster and Mary Carpenter Erler, Iter Inc., 1990. Christine de Pizan. The Book of the City of Ladies. Translated by Earl Jeffrey Richards, Persea Books, 1982. Huizinga, Johan. The Waning of the Middle Ages. Translated by F. Hopman, Anchor Books, 1954. Kempe, Margery. The Book of Margery Kempe. Edited by Lynn Staley, TEAMS Middle English Texts, 2006. Machaut, Guillaume de. The Poems of Guillaume de Machaut. Translated by R. Barton Palmer, Garland Publishing, 1988. Music "Nymphs" by Varvitos