BOOTS by Rudyard Kipling (1915) read by Taylor Holmes (cleaned audio) скачать в хорошем качестве

BOOTS by Rudyard Kipling (1915) read by Taylor Holmes (cleaned audio)

"Boots" by Rudyard Kipling, famously used in the trailer for 28 Years Later, captures the relentless march of soldiers during the Boer War. This haunting recital by Taylor Holmes brings Kipling’s rhythmic and evocative words vividly to life. --- Written during the early 20th century and inspired by Kipling’s observations of British soldiers in colonial campaigns, Boots reflects the relentless monotony and psychological toll of war. The repetitive structure and rhythmic cadence mimic the endless march of infantry columns during the Boer War (1899–1902). Kipling's intent was to immerse readers in the mind-numbing reality faced by soldiers, emphasizing endurance over heroism. The phrase “no discharge in the war” serves as a haunting refrain, symbolizing the inescapable nature of a soldier’s duty. It transcends the physical act of marching, representing the inability to escape war’s demands, both during and after service. The repetition reflects how the relentless rhythm of boots becomes internalized, driving some soldiers to the brink of madness. "No discharge" implies that the mental and emotional toll lingers long after the fighting stops, leaving soldiers trapped in their memories and traumas. Kipling’s use of relentless rhythm and stark imagery makes Boots one of his most evocative works. The poem strips war of its grandeur, offering instead a raw depiction of its unrelenting grind. Its hypnotic cadence has resonated across decades, influencing war literature and art that seek to portray the psychological costs of conflict. By focusing on the soldier’s perspective, Boots bridges the gap between its historical context and contemporary reflections on the human cost of war, remaining timeless in its emotional impact. --- Did you know? Taylor Holmes, the voice behind this haunting recital of Boots, had a fascinating Hollywood career! He played Marilyn Monroe’s father in Clash by Night (1952) and even voiced King Stefan in Disney’s classic Sleeping Beauty (1959). Known for his distinctive voice and captivating presence, Holmes seamlessly moved from silent films to talkies, leaving his mark on both stage and screen. His ability to bring depth and nuance to every performance makes his reading of Kipling’s poem all the more compelling.