ADDIE ADDIE ADDIE - BACK ROW (three-one-takes-in-one music video) скачать в хорошем качестве

ADDIE ADDIE ADDIE - BACK ROW (three-one-takes-in-one music video)

ADDIE ADDIE ADDIE - BACK ROW from the album "well it all had to go somewhere" lyrics and melody: Addie Weyrich produced by: Mitch The Devil DP: Jon Salmon 1AD: Bridg Brown director: Addie Weyrich editor: Addie Weyrich LYRICS: I might fuck this up I’m looking for your name when waking up Baby the truth is I’m feeling quite useless Since you called me and said I can’t do this You say you’re in love We just met, you don’t know what you’re talking bout But baby repeat it Right now I need it Holding hands and your eyes are gleaming And I know the worst in me Is gonna hate you when you’re gone But I know the rest of me Just thinks you’re wonderful How I’m really feeling is much more than I can say So I’ll keep it in my journal save it for another day I’m not moving on I’ll still be there when the lights come on I’ll still be there when the credits roll I’ll just be clapping from the back row I’m not fucking up I’m mad at the feelings this is bringing up I’m right at the table You’ll come by later Smoking a cigarette, doing me favors I think I’ve had enough I’m at the party drinking the hardest stuff I’m feeling dizzy You wanted to kiss me But now I just want you to say that you’ll miss me And I know the worst in me Is gonna hate you when you’re gone But I know the rest of me Just thinks you’re wonderful Tell me how you’re feeling I will listen it’s okay Honestly if it was me I’d probably need a break I’m not moving on I’ll still be there when the lights come on I’ll still be there when the credits roll I’ll just be clapping from the back row I’m not moving on I’m not moving on I’m not moving on I’m not moving on story time: In August I went to Boston to shoot a movie helmed by Danny Madden and it was the most artistically fulfilling experience I had ever experienced. Half way through filming, I took a train ride home to Philly for a cousin's wedding. While staying in my childhood home, I couldn't turn my movie brain off and I started viewing every room as if it had been impeccably set designed. I was in awe. My mom has such a cool style and she's lived in the house with my dad for 33 years so the whole place was just brimming with history and character. It felt too special to not take advantage of. I still hadn't shot any visuals whatsoever for my album that had been released two months prior and I pitched Jon Salmon and Bridg Brown an insane idea: "When this movie wraps in two weeks, do you two want to fly to Philly and see if we can shoot 8 music videos in 48 hours?" They said yes and so that's what we did. It was the longest any of us had ever been in total flow state and it felt fitting that it was an artistically fulfilling experience fueled by another artistically fulfilling experience, that I got to pass the contagious nature of the movie to two dear creatives. I feel so grateful for Jon and Bridg as friends and so proud of the work we did together as collaborators. At a time when, personally, idk about you guys, it feels like there's so much pressure and perfectionism and high stakes with creating art - it felt really fucking good to just be like "ok, let's run around with the playfulness and curiosity we had as kids but the talent and skill we now have as adults and see what happens." BACK ROW visuals coming out first simply because it's the first thing I edited that made me go "oh shit that's cool." Much love to anyone who has been following my music project from the beginning or who is just arriving, I really really really like doing this and I like it even more with you. xoxo ADDIE ADDIE ADDIE