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This is where the core idea lives. When the moment comes and I have to choose a language for generating music, it’s no longer a technical decision. It’s an ethical one. I consciously try to step away from formats and templates, even though we all understand that the “original” or native language usually works best. It sounds clearer, more confident, more complete. It knows where it’s going. But in my case, what sounds best is what I don’t know. There’s a small key hidden in that. A quiet crack in the system. Not knowing removes control. It stops the brain from correcting itself, from polishing, from trying to be “right.” And that’s exactly what opens the door to the most interesting results. Especially in vocals. For me, the vocal part isn’t about lyrics or language. It’s about accumulation. Pressure. A driving force that makes the mind heat up and shift through colors. But instead of blending everything into noise, I want to separate those colors into segments. Give each layer its own space. And only then add my own spices. Not as a rule. Not as a method. Just as a simple option for others. Because what we don’t know often takes us to places that don’t have names yet. TRACK 01 00:00:00 — Morning Comes Anyway TRACK 02 00:03:55 — Bounce Without Proof TRACK 03 00:08:46 — Morning, No Demands TRACK 04 00:11:59 — Low Orbit Funk TRACK 05 00:14:18 — Yeah, Softly TRACK 06 00:17:27 — Untitled, Still Moving TRACK 07 00:20:33 — Lights Already Low TRACK 08 00:23:31 — Phone Face Down TRACK 09 00:26:03 — Vanish Trick TRACK 10 00:30:02 — Nothing to Prove TRACK 11 00:33:29 — I Didn’t Wake, I Arrived TRACK 12 00:36:35 — Evening Without Sound TRACK 13 00:38:59 — Day Four Slips In TRACK 14 00:42:37 — No Cue, Just Motion TRACK 15 00:45:23 — Came to Sit Still TRACK 16 00:48:54 — Another Name for Now TRACK 17 00:51:31 — No Buzz, Just Time