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LALONN GEETI Jasim Uddin first published an article on Lalon Shah in Bangobani, Calcutta, in 1926. Rabinranath Tagore writes, "These people roam about singing their songs, one of which I heard years ago from my roadside window, the first two lines roaming inscribed in my mind: Nobody can tell whence the bird unknown comes into my cage and goes out. ............. Look, how a strange bird flits in and out of the cage! O brother, I wish I could bind it with my mindís fetters. Have you seen a house of eight rooms with nine doors Closed and open, with windows in between, mirrored? O mind, you are a bird encaged! And of green sticks Is your cage made, but it will be broken one day. Lalon says: Open the cage, look how the bird wings away! People ask, what is Lalon's caste? Lalon says, my eyes fail to detect The signs of caste. Don't you see that Some wear garlands, some rosaries Around the neck? But does it make any Difference brother? O, tell me, What mark does one carry when One is born, or when one dies? Poet Rabindranath Tagore in his Hebart Lecture in London (1933) first applauded Lalan Shah as a mystic poet who discovered 'soul' and the meaning of 'man'. Tagore said that I discovered that 'man' from the songs of Lalan who said that "(ai manushe ase se mon....) "....) the 'man' is within yourself where are you searching Him (Folkore, II, Calcutta, 1961). Tagore through his Estate-Assistant Bamacharan Chakravarty managed to copy nearly 150 songs from his akhra (residing place) Seuria from which only a few songs were published in the monthly Probashi as 'Haramoni' in 1920. Soon after, search for similar songs were undertaken by various collectors including Md. Mansur Uddin. 'Haramoni' (1932) the preface of which was written by Tagore said that here, in these songs, Hindus and Muslims have been united under the same sky------ there is no barrier of caste or creed...'