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This piece is not created with Artificial Intelligence. It is a musical and historical meditation inspired by an ancient Islamic formula of praise preserved on Muslim coinage from the early 8th century in al-Andalus (Spania) and North Africa. An Ancient Formula of Divine Praise The text sung in this work reads: Deus eternus, Deus magnus, Deus omnia creator Literal translation: Eternal God, Great God, God, Creator of all things. Although preserved here in Latin, this formula reflects a theology deeply rooted in Islamic revelation and devotional language. Its meaning resonates clearly with Qur’anic and prophetic expressions of tawḥīd (the absolute oneness of God): Deus eternus — God as Eternal This corresponds to the Qur’anic affirmation of God as al-Awwal wa al-Ākhir (the First and the Last), and al-Ḥayy (the Ever-Living), without beginning or end. Deus magnus — God as Great This echoes the constant Islamic proclamation Allāhu Akbar — God is greater than all that exists, greater than creation, time, and power. Deus omnia creator — God, Creator of all A direct reflection of the Qur’anic description of God as Khāliq kulli shay’ — the Creator of everything, without partner, intermediary, or likeness. Historically, similar formulas appeared on early Islamic coins as public affirmations of divine sovereignty, unity, and transcendence, intended to circulate faith itself through daily life. Musical Language The music is set in a Gregorian chant style, sung syllabically and structured according to Gregorian modes. It is interpreted by a pre-recorded choir of authentic Gregorian voices, with organ accompaniment, creating a solemn and contemplative soundscape. While the musical language is Western and medieval, the theological content remains firmly anchored in Islamic monotheism. Visual Context The visuals present AI-generated medieval ambient imagery, including soldiers and cathedral-like architecture, used purely as historical atmosphere rather than theological reference. Visual assets are credited to Vecteezy.com. Rights and Use This composition, arrangement, and conceptual fusion belong to Mystic Harmonia. Reinterpretations are permitted, provided the text and stylistic integrity are respected. Purpose and Audience This work is intended for: contemplation and meditation spiritual reflection study and quiet listening It is addressed to a general contemplative audience, beyond confessional boundaries, while carefully avoiding explicit Christian references. Keywords (SEO) Gregorian chant, medieval chant, sacred chant, modal chant, ancient liturgical music, Gregorian modes, sacred medieval music, contemplative chant, historical chant, sacred vocal music