Fujii Kaze - Mo-Eh-Wa | Musical Analysis скачать в хорошем качестве

Fujii Kaze - Mo-Eh-Wa | Musical Analysis

Composer Toydora analyzes Fujii Kaze's "Mo-Eh-Wa" (もうええわ). Questions and opinions can be shared in the comments. ☆Sheet music video →    • 【耳コピ楽譜】藤井風『もうええわ』   Analysis begins at 2:16 〈Fujii Kaze〉 Since childhood, his work has been consistently praised, and he has become a darling of the times, even appearing in the Kohaku Uta Gassen. He incorporates elements of R&B and hip-hop, and his sound is somewhat retro American. His characteristic is writing melancholic lyrics in Okayama dialect. ☆☆☆ Correction ☆☆☆ The chords around 30:50 are not "D♯m/E" but "Dm/E". 〈Overview〉 【Form】 Typical compound verse-chorus form with a C melody. The modulation follows a tonic → relative major → tonic pattern. Classical-style modulation structure. 【Rhythm and Meter】 Drum beats are very simple with minimal variation. Keyboard chords are straightforward without rhythmic complexity. Bass, guitar, and hi-hat create groove with 16th notes. Influenced by R&B. 【Melody and Harmony】 Basic chords used are m7 and M7 without excessive tension. D chords reject the leading tone and frequently use omit3 chords (e.g., IV/V). V7(b9) is favored for its sweet sound. II-V-I progressions and partial modulations are effectively used. Clever use of specific on-chord progressions. Frequent modulation between parallel and relative keys contrasts the mood between major and minor. Contrast between the flat accompaniment and the syncopated 16th-note melody creates a groovy feel. ------------------------------------------------------------------------------------- Composer Toydora → https://tomita-haruki.studio.site/ #MusicTheory #FujiiKaze