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Свен Грюнберг - ОМ Sven Grünberg (born 24 November 1956, Tallinn) is an Estonian synthesizer and progressive rock composer and musician best known for his meditative organ and electronic works involving the concepts of Tibetan Buddhism. He has collaborated with the film director Olav Neuland and written the soundtracks for the most of his films. In the 1970s Grünberg was the leader of the progressive rock band Mess, which was founded by him in January 1974 together with Härmo Härm. REVIEW: In the mid-‘80s, as documented on this collection, Grunberg moved more towards spacemusic and ambient sound, incorporating more “world-music” material into his compositions as well. He still retains his base in synthesizer special effects and sound spectacle, though; the Eastern musical motifs are no more than exotic flavors added in, taken well out of their cultural context. But that is not necessarily a bad thing; Europeans have for centuries adapted Orientalisms to their own use. Grunberg’s melodic lines tend to ramble, but do sometimes come together in a fairly good tune, such as the playing in the later minutes of track 2, “Reflections.” He tends to rely on lots of “big moments,” probably because of his history as a film composer where this is what the scenes need, but this episodic quality works against his musical structure. Even after ten minutes, it seems as if a piece is going nowhere, despite lots of exciting bits. Grunberg’s rather incoherent eclecticism is evident in the last track, “OM,” where he mixes – in one eleven-minute piece - not only space-ambient, b utJ apanese science fiction and pseudo-Kabuki noise, as well as “tribal” (but synthesized) drum rhythms. In the liner notes, he tries to justify this as a “homogeneous world music” that would unite humanity, but I’m not convinced. There are plenty of sonic pyrotechnics but at the end it’s a lot more style than substance. Grünberg is also the Chairman of the Board of the Estonian Institute of Buddhism. эстонский композитор шведского происхождения. Творческую деятельность начал в конце 1970-х годов, подражая синтезаторной рок-музыке Вангелиса и Китаро. В середине 1980-х годов обратился к космическому звучанию, включая фольклорные элементы. Мелодия – С60 27019 002 © «МЕЛОДИЯ», 1988 Tаллинская студия грамзаписи, записи 1981 - 1987 гг. РИЖСКИЙ ОРДЕНА ЗНАК ПОЧЕТА ЗАВОД ГРАМПЛАСТИНОК ТИП. РЗГ «МЕЛОДИЯ» 1989 1360 300 APT. 11-1